Greensleeves to a Ground is taken from John Walsh's two-part publication, The Division Flute, of 1706. Includes pedagogical tips from editors Kathryn Bennetts and Peter Bowman.

Imagine floating among the clouds on a beautiful summer afternoon. Making lazy circles and simply floating on the breeze. Making a pass over people standing on the ground watching until finally floating off

This method breaks new ground, unlocking the heart and soul of the most important language in jazz, creating the first true "manual" on bebop. Using some of the greatest bebop musicians as models

The first in a two-album series for flute and guitar conceived and produced by noted guitarist Ed Flower. This album offers a broad range of musical experience spanning the Renaissance and Baroque eras. Ed

When I first started thinking about In Malaysia (sometime in April 2015), I immediately heard a bassoon melody playing in my mind that grew into a larger piece of music that painted my memories

For flute & string quartet. First printing. Includes performance notes. Written for the Ground Score Quintet. Five movement work. Duration: ca. 15'. Score, 21 p. and parts.

These two pieces are taken from William Walton's 1963 orchestral suite from the 1944 film Henry V. In the sombre Passacaglia, the ground bass line eventually passes through most of the parts,

"Night Clouds" is slow and mysterious as the clouds form and take on their own life during the darkness of night. The tonality is generally in Gm with slight variations. The melody is transferred between