A dynamic a cappella original with a festival feel! The opening chordal style introduces a jubilant motive in the upper voices that gives a solid foundation for the contrasting bass part. A contrasting
The beloved Latin text is set in an elegantly simple four-part texture with conservative ranges. Straightforward rhythms and moments of release create a tapestry of sound that surrounds the solo chant line,
This beautiful a cappella motet is extracted from Mr. Trotta's major work Seven Last Words. It is lush in its harmonies and suitable for both church and school use. Choirs will enjoy singing this
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Elegant simplicity is the hallmark of this work that is sure to be a favorite in both worship and concert settings. This time-honored text from the Old Testament reflects on the wonder of discovering that
"May the roads rise up to meet you, may the winds be always at your back... until we meet again." This is a lovely a cappella choral texture with straightforward rhythms and close harmonies. Whether chosen
A simple a cappella setting of Fiona Macleod's traditional text that invokes the peace and stillness of nature. The choral parts move gently with extended cluster chord cadences and some simple divisi. This
The Salve Regina, also known as the Hail Holy Queen, is a Marian hymn and one of four Marian antiphons sung at different seasons within the liturgical calendar of the Catholic Church. The
"The grass has dried up and the flower has fallen... but you last forever. Therefore, I seek a faith that sets it right." The poignant text from Vachel Lindsey sets up the idea of relying on faith amid the
Here is a lovely introduction to the ancient Latin text for developing choirs. The optional flute part adds much to the simple beauty of this endearing original. Lyrical phrases and Latin vowels present the
With a text by Louis de Montfort, this is a hymn of devotion and total surrender to a power greater than ourselves. The lush extended harmonies proceed from a pedal point and continue in straightforward
A wonderful introduction to the fugue, this work for choir may be performed with the keyboard reduction or a cappella.
Following his successful settings of Kyrie and Gloria for treble voices, Dr. Trotta delivers a third movement from the Missa Brevis with Agnus Dei. Each setting has been
This work is an energetic reimagining of timeless text and tune from the 12th-century poet, composer, and philosopher Hildegard of Bingen. The marriage of the Caritas Abunda chant with a text taken
For the emerging choir, this energetic choral work offers an introduction to the traditional Latin text with compound meter and accessible choral parts. Whether chosen for its educational features, its
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