This new arrangement of the beloved American folk song Shenandoah is built on a rhythmic vocal ostinato which provides the backdrop and energy for the soaring vocal line, casting this familiar tune

Explore the majesty, mystery, and wonder of the Nativity with this five-movement work for choir, soprano, bass, and orchestra which tells the story of the Nativity according to the Gospel of Luke. Within

The beloved Latin text is set in an elegantly simple texture with conservative ranges. Straightforward rhythms and moments of release create a tapestry of sound that surrounds the chant line. In a variety

Rhythmic ostinatos, cluster harmonies, and soaring soprano lines are all present in this exciting a cappella concert work, possessing all the elements you'd expect from the composer of Veni, Veni

This seven-movement, 40-minute work for choir, soprano and bass soli, and orchestra delivers a tapestry of melodic richness to powerfully portray the anticipation of the wonder and mystery of the birth of a

A work for choir, brass quintet, organ, timpani, and cymbals, this setting of the Gloria delivers a tapestry of melodic richness and rhythmic energy. A strong sense of architecture guides the listener

This long-awaited major work is a seven-movement choral journey through the Passion, which delivers a powerful and captivating story encompassing a breathtaking palette of emotion, from intimate tenderness

Requiem is a powerfully appealing, tender exploration of love and loss. Grounded in tradition while incorporating a present-day harmonic language, two Gregorian chant motives... view details

This final movement from For a Breath of Ecstasy begins rhythmically as the first movement did. In fact, the writing touches on moods and motives in many of the other six movements, although the

This is the sixth movement of For a Breath of Ectasy and is scored for SATB chorus, oboe, and string quartet or piano. Using a lush accompaniment and homophonic choral writing, the music

In this fourth movement from For a Breath of Ecstasy, the instrumental introduction leads to a completely a cappella setting of this Sara Teasdale text. This movement is slow, lyrical and hymn

After a calm start in this fourth movement from For a Breath of Ecstasy, a rhythmic motive begins in the bass clef of the accompaniment and intensifies as the singers enter with the first statement

This majestic and triumphant work for Christmas heralds the coming of the King of Peace into a troubled world. Quoting a medieval carol, this piece is a wonderful concert processional or closer. It can be

This majestic and triumphant work for Christmas heralds the coming of the King of Peace into a troubled world. Quoting a medieval carol, this piece is a wonderful concert processional or closer. It can be

"May the roads rise up to meet you, may the winds be always at your back... until we meet again." Available in a cappella and accompanied versions, the lovely choral texture utilizes straightforward rhythms

A simple prayer of a servant, this a cappella work masterfully captures Mary's response to the angel Gabriel. "Behold, I am the servant of the Lord. May it be done to me according to your will." A

This first movement from For a Breath of Ecstasy has accessible choral parts and a very active accompaniment to open, representing the "my thoughts" part of the text. A contrasting middle section

Each of the movements in this work chronicles Teasdale's search for solace amid life's many storms. The tapestry of different vocal forces set against the backdrop of oboe and strings reveals moments of

This unaccompanied piece contrasts a simple unison motif with quick ostinato in the lower voices. The homophonic refrain clearly declaims, "All forces have been steadily employed to complete

Lush harmonies and vivid imagery create a absolutely gorgeous a cappella setting of Margaret Deland's text which depicts the Christmas story from the point of view of the shepherds calmly sleeping and being