Michael Trotta has adapted a 19th century hymn text to create a powerful plea for hope in times of loss or uncertainty. Occasionally referencing Sibelius's Be Still My Soul, it is scored for SATB a
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This is the sixth movement of For a Breath of Ectasy and is scored for SATB chorus, oboe, and string quartet or piano. Using a lush accompaniment and homophonic choral writing, the music
This inspirational text by Henry Wadsworth Longfellow is framed with a rhythmic ostinato in a crisp a cappella setting. The piece may be performed SSA with optional solo or SSAA with equally divided voices,
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This final movement from For a Breath of Ecstasy begins rhythmically as the first movement did. In fact, the writing touches on moods and motives in many of the other six movements, although the
This beautiful setting of Silent Night employs the original text with new music scored for SATB a cappella voices and optional descant. Color reigns supreme as the text is almost treated in a
In this fourth movement from For a Breath of Ecstasy, the instrumental introduction leads to a completely a cappella setting of this Sara Teasdale text. This movement is slow, lyrical and hymn
After a calm start in this fourth movement from For a Breath of Ecstasy, a rhythmic motive begins in the bass clef of the accompaniment and intensifies as the singers enter with the first statement
The contrast between the cold of winter and the warm rays of light found in nature at this time of year make this ideal for emerging choirs looking for secular seasonal repertoire. Conservative vocal
"May the roads rise up to meet you, may the winds be always at your back... until we meet again." This is a lovely a cappella choral texture with straightforward rhythms and close harmonies. Whether chosen
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