This lyrical setting blends the beloved tune and text with a captivating new tune sung by the descant. The result is a fresh look at an old favorite in the capable hands of Michael John Trotta. The added
A gorgeous original setting of this beloved text, the flowing accompaniment perfectly compliments the legato vocal lines. This score includes two flexible versions of the keyboard accompaniment. A tender
A minimum quantity of 10 is required on this title.
A new work for choir, brass quintet, organ, timpani and cymbals. This setting of the Gloria delivers a tapestry of melodic richness and rhythmic energy. A strong sense of architecture guides the
This festival setting of Psalm 145 is scored for SATB voices, children's choir, and piano or organ, with optional full orchestra. The SATB writing varies from full chords to quick imitative passages to a
A lovely piece for women's choir with oboe obbligato. The text is taken from Barter, the first in a set of Pulitzer Prize-winning poems from American poet Sara Teasdale. Despite the poet's history
A minimum quantity of 5 is required on this title.
This is the sixth movement of For a Breath of Ectasy and is scored for SATB chorus, oboe, and string quartet or piano. Using a lush accompaniment and homophonic choral writing, the music
This first movement from For a Breath of Ecstasy has accessible choral parts and a very active accompaniment to open, representing the "my thoughts" part of the text. A contrasting middle section
This long-awaited major work is a seven-movement choral journey through the Passion, which delivers a powerful and captivating story encompassing a breathtaking palette of emotion, from intimate tenderness
This final movement from For a Breath of Ecstasy begins rhythmically as the first movement did. In fact, the writing touches on moods and motives in many of the other six movements, although the
Each of the movements in this work chronicles Teasdale's search for solace amid life's many storms. The tapestry of different vocal forces set against the backdrop of oboe and strings reveals moments of
This second movement from For a Breath of Ecstasy is a cappella except for a short introduction and coda. The texture includes a soprano descant in the first and last sections. The middle section
Written for the Jacksonville Children's Chorus, this SSAA setting of a Sara Teasdale text begins in unison. This verse structure is followed by a refrain and a canon between the two voices on the text, "The
Now available for mixed, treble, or male choirs, this original work contains lyric, legato vocal lines which unfold to reveal a subtle interplay between voices, interwoven with piano and an optional
After a calm start in this fourth movement from For a Breath of Ecstasy, a rhythmic motive begins in the bass clef of the accompaniment and intensifies as the singers enter with the first statement
In this fourth movement from For a Breath of Ecstasy, the instrumental introduction leads to a completely a cappella setting of this Sara Teasdale text. This movement is slow, lyrical and hymn
Elegant in its simplicity, this anthem provides opportunities for artistic performance with limited rehearsal time. The piece utilizes an accessible piano accompaniment and optional handbells, with a few
This beloved text from Elizabeth Frye, simply set for choir, features a lyric melody with organ or piano accompaniment and optional string quartet. This is the first movement from the larger work. A
The beloved Latin text is set in an elegantly simple four-part texture with conservative ranges. Straightforward rhythms and moments of release create a tapestry of sound that surrounds the solo chant line,
This SSAA setting of a Sara Teasdale text is set completely for unaccompanied voices. The text, "Peace flows into me..." is introduced on a single note, gently expanding to a fuller sonority. The next
Cast in eight moments, this major work draws on texts that examine the many facets of death, the pain of transitions, and the hope and joy of a better place. Designed to be accessible for the choir looking
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