This new arrangement of the beloved American folk song Shenandoah is built on a rhythmic vocal ostinato which provides the backdrop and energy for the soaring vocal line, casting this familiar tune

The beloved Latin text is set in an elegantly simple texture with conservative ranges. Straightforward rhythms and moments of release create a tapestry of sound that surrounds the chant line. In a variety

A rhythmic ostinato on "Veni, veni" and optional percussion (triangle, tambourine and drum) infuse the traditional Advent carol with such unrelenting energy, the effect on the listener is mesmerizing!

This energetic original work is a testament that "Love conquers all, therefore let us surrender to love!" In Latin, with pronunciation guide and translation included, this festival work may be performed a

This energetic choral work offers an introduction to the traditional Latin text with compound meter and accessible choral parts. Whether chosen for its educational features, its lyric melody, or its

With strong themes of dignity, respect, and integrity, Henry Wadsworth Longfellow's text is crafted into a powerful and singable piece for tenor-bass choirs. It is a reminder that the footprints we leave

Conservative vocal lines combine with a spirited accompaniment to capture the energetic spirit of Walt Whitman's Leaves of Grass, making this work an attractive piece for a wide variety of mixed or

This piece hints of the drama of the sea with rolling and weaving melodies in the undulating piano accompaniment. Small vocal ranges and the effective use of unison, two-part harmonies, and a descant propel

Beginning with an ominous ostinato from the choir, "dum digga digga dum," this piece sets Stephen Crane's short but vivid poem describing the invasion of a fast-approaching enemy army. An engaging concert

Using imagery to describe new beginnings as the earth slowly comes to life, this lovely original work offers the opportunity for tenor-bass choirs to sing with great emotion and feeling.

Tenor-bass and treble choirs of all ages will relish singing these gorgeous harmonies with the traditional Latin text. With the option to sing a cappella or with a supportive piano accompaniment, the

This favorite carol is presented in an arrangement designed with changing voice emerging tenor-bass singers in mind, and they are sure to love it! The melody is shared between the voices, and the drum-motif

Boldly sensitive, this is a must-sing! Bringing innovative and interesting writing to this setting of Alfred Lord Tennyson's inspiring and beloved text, this is a great choice for tenor-bass choirs looking

Clever and concise, these accessible arrangements of I Saw Three Ships and We Three Kings are perfect for the unchanged voices in your choir or tenor-bass ensemble. Ample unison,

Especially designed for young tenors and basses with changing voices, this arrangement offers the option to sing in unison throughout or to add the written parts on the third verse that begin in canon and

Ashley Dame's text depicts the Viking Age: a time of battle and conquest, when brave mariners ventured forth to create, protect, and defend their new homes and lives. Written specifically to provide a

Here are two contrasting settings for the young tenor-bass choir that introduce foundational concepts to the beginning singer. They can be performed as a set or as stand-alone pieces and offer the option to

Traditionally written in 3/4, this fresh arrangement of a well-known Christmas carol is given an uplifting twist in 9/8 compound meter. The piano part gently propels the piece... view details