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For a Breath of Ecstasy: 7. Let Me Love For a Breath of Ecstasy: 7. Let Me Love
Michael John Trotta - Galaxy Music Corporation

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For a Breath of Ecstasy: 5. Spend All You Have on Loveliness For a Breath of Ecstasy: 5. Spend All You Have on Loveliness
Michael John Trotta - Galaxy Music Corporation

A lovely piece for women's choir with oboe obbligato. The text is taken from Barter, the first in a set of Pulitzer Prize-winning poems from American poet Sara Teasdale. Despite the poet's history

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For A Breath of Ecstasy: 1. Wealth Enough for Me For A Breath of Ecstasy: 1. Wealth Enough for Me
Michael John Trotta - Galaxy Music Corporation

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For a Breath of Ecstasy: 3. Who Gave My Soul to Me For a Breath of Ecstasy: 3. Who Gave My Soul to Me
Michael John Trotta - Galaxy Music Corporation

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For a Breath of Ecstasy: 4. For You I Am Still For a Breath of Ecstasy: 4. For You I Am Still
Michael John Trotta - Galaxy Music Corporation

In this fourth movement from For a Breath of Ecstasy, the instrumental introduction leads to a completely a cappella setting of this Sara Teasdale text. This movement is slow, lyrical and hymn

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For a Breath of Ecstasy For a Breath of Ecstasy
Michael John Trotta - Galaxy Music Corporation

Each of the movements in this work chronicles Teasdale's search for solace amid life's many storms. The tapestry of different vocal forces set against the backdrop of oboe and strings reveals moments of

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Description
Number
Level
Price
Qty
SATB Choral Score 
MMedium
$9.75
Instrumental Parts Oboe Part
MMedium
$8.00
Instrumental Parts Strings
MMedium
$27.00
Full Score 
MMedium
$35.00
Ad Te Clamamus Ad Te Clamamus
Michael John Trotta - Galaxy Music Corporation

The Salve Regina, also known as the Hail Holy Queen, is a Marian hymn and one of four Marian antiphons sung at different seasons within the liturgical calendar of the Catholic Church. The

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Totus Tuus Totus Tuus
Michael John Trotta - Galaxy Music Corporation

With a text by Louis de Montfort, this is a hymn of devotion and total surrender to a power greater than ourselves. The lush extended harmonies proceed from a pedal point and continue in straightforward

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