A haunting and contemporary a cappella arrangement of a wonderful old English carol. The subtle dissonance and tonal shifts make this a memorable and meaningful setting. Great for use within a liturgical
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Michael Trotta has adapted a 19th century hymn text to create a powerful plea for hope in times of loss or uncertainty. Occasionally referencing Sibelius's Be Still My Soul, it is scored for SATB a
A gorgeous original setting of this beloved text, the flowing accompaniment perfectly compliments the legato vocal lines. This score includes two flexible versions of the keyboard accompaniment. A tender
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Slow and delicate, this piece uses fine vocal writing to paint a picture of winter beauty. The rhythmic piano part creates forward motion under interesting interplay between vocal lines that paint each
A lovely piece for women's choir with oboe obbligato. The text is taken from Barter, the first in a set of Pulitzer Prize-winning poems from American poet Sara Teasdale. Despite the poet's history
This beautiful a cappella motet is extracted from Mr. Trotta's major work Seven Last Words. It is lush in its harmonies and suitable for both church and school use. Choirs will enjoy singing this
This is the sixth movement of For a Breath of Ectasy and is scored for SATB chorus, oboe, and string quartet or piano. Using a lush accompaniment and homophonic choral writing, the music
This first movement from For a Breath of Ecstasy has accessible choral parts and a very active accompaniment to open, representing the "my thoughts" part of the text. A contrasting middle section
With its lyric vocal lines and simple harmonies propelled by a driving yet whimsical piano accompaniment, this original work is a great choice for emerging choirs. The engaging text reminds us of the power
"The gift, the wonder of it all, is the presence hidden deep within, and the joy, yet somehow even more... the secret that conceals diviner things." Giovanni Giocondo's 15th century text is the inspiration
This inspirational text by Henry Wadsworth Longfellow is framed with a rhythmic ostinato in a crisp a cappella setting. The piece may be performed SSA with optional solo or SSAA with equally divided voices,
"A place where I am who I really want to be, and a place where you are more than you’ll ever know . . . Will you meet me there?" Straightforward rhythms, conservative ranges, and close
A heartfelt expression of thanks for guidance, this a cappella work speaks to seeking and finding a loving presence that is all around us. This text from Rabindranath Tagore is expressively set with
This final movement from For a Breath of Ecstasy begins rhythmically as the first movement did. In fact, the writing touches on moods and motives in many of the other six movements, although the
Each of the movements in this work chronicles Teasdale's search for solace amid life's many storms. The tapestry of different vocal forces set against the backdrop of oboe and strings reveals moments of
This second movement from For a Breath of Ecstasy is a cappella except for a short introduction and coda. The texture includes a soprano descant in the first and last sections. The middle section
The Salve Regina, also known as the Hail Holy Queen, is a Marian hymn and one of four Marian antiphons sung at different seasons within the liturgical calendar of the Catholic Church. The
Elegant simplicity is the hallmark of this work that is sure to be a favorite in both worship and concert settings. This time-honored text from the Old Testament reflects on the wonder of discovering that
This beautiful setting of Silent Night employs the original text with new music scored for SATB a cappella voices and optional descant. Color reigns supreme as the text is almost treated in a
Is it in 6/8, 2/4, or 7/8? One thing's for sure, your choir will have a great time figuring it out! Presented with a lot of lilt and flair, this mixed-meter setting of a favorite carol is a fantastic
Conceived as a dialogue between old and new and associated with the Christmas season, this work is suitable for year-round performance. The light and buoyant treatment of the familiar melody grows and
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In this fourth movement from For a Breath of Ecstasy, the instrumental introduction leads to a completely a cappella setting of this Sara Teasdale text. This movement is slow, lyrical and hymn
After a calm start in this fourth movement from For a Breath of Ecstasy, a rhythmic motive begins in the bass clef of the accompaniment and intensifies as the singers enter with the first statement
The contrast between the cold of winter and the warm rays of light found in nature at this time of year make this ideal for emerging choirs looking for secular seasonal repertoire. Conservative vocal
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