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Volume 3 contains a representative cross-section of the dramatic repertoire for tenor. On the opera stage, the tenor is often the most eminent protagonist. Whether he is an ardent lover or a tragic hero, he

The 1608 opera "Arianna" is best known for the title character's lament sung by Isabella Andreini. The interest in this operatic scene now known as the Lamento d’Arianna led to many

This Urtext edition contains French operatic arias for soprano and piano from the works that opera reformer Christoph Willibald Gluck composed on commission for the Paris Opera. These operas include

A repertoire anthology of opera arias from roles specific to the lyric-dramatic tenor, with special attention to the appropriate vocal criteria (range, tessitura, specifics, type of aria) and the practical

Part of a series of operatic aria anthologies subdivided by vocal register, this collection is drawn from Antonio Vivaldi's surviving musical works for the theater. Its sources include 24 musical dramas,

An excerpt from the Western opera "Riders of the Purple Sage" based on the novel by Zane Grey, this triumphant aria about the hope of love is scored for tenor and piano.

Two arias from the Western opera "Riders of the Purple Sage" are included in this score for bass or baritone and piano: Ballad of Milly Erne and The Gun Song.

Two arias from the Western opera "Riders of the Purple Sage" are included in this score for mezzo-soprano and piano: Bess's Aria; Who Is This Man? and Jane's Aria.

An excerpt from the Western opera "Riders of the Purple Sage" based on the novel by Zane Grey, this aria is scored for baritone and piano.

A repertoire anthology of opera arias from roles specific to the tenor, with special attention to the appropriate vocal criteria (range, tessitura, specifics, type of aria) and the practical aspects of

Part of a series of operatic aria anthologies subdivided by vocal register, this collection is drawn from Antonio Vivaldi's surviving musical works for the theater. Its sources include 24 musical dramas,

This aria for soprano sets the well-known folk tune known in English as Twinkle, Twinkle, Little Star. This edition includes a score for soprano with piano alone and a score for soprano with piano

A repertoire anthology of opera arias from roles specific to the dramatic mezzo-soprano, with special attention to the appropriate vocal criteria (range, tessitura, specifics, type of aria) and the

Hailstork has created a powerful eight-minute monodrama from a passage in Frederick Douglass' landmark autobiography, where the great orator asks why boats can roam the sea while he must remain in chains.

For soprano & piano. Libretto by Jerre Dye. Three arias. Duration: ca. 10'. Vocal score, 17 p.

For baritone & piano. First printing. A concert version of music from Wiemann's opera, on a libretto by Jennifer Moxley. Vocal score, 8 p.

Extracted from "Flight," the original modern-day operatic comedy with libretto by April de Angelis, this aria for countertenor also known as the Refugee's Aria tells of a refugee's longing to

Librettos by Terrence McNally & Gene Scheer. For baritone & piano. First printing. Includes: Starbuck's Soliloquy or The Musket Scene from Moby-Dick; A Warm Night from Dead