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Mercy is a tender plea to our Lord for compassion and forgiveness. Lyricist Susan Bentall Boersma incorporates the Greek "Kyrie eleison" (Lord, have mercy) into her original text, while composer
I Am Not My Own is a beautifully written anthem for SATB choir, piano and trumpet. With lyrics written by Susan Bentall Boersma and based on the Heidelberg Catechism, Lord's Day 1, composer Craig
This popular contemporary Christmas song has a fresh new treatment in this arrangement by Craig Courtney. An ethereal sound is set by the use of chord clusters and an aleotoric section. The melody is
The transcendent glory of the traditional Latin text is treated with great sensitivity and depth in this superb setting for capable sanctuary, concert or festival choirs! With sweeping vocal lines and
From the dramatic opening measures in the brass to the final refrains with descant, this arrangement is full of the majesty and glory of the event that altered history. Scored for SATB choir, congregation
Inspired by the scriptural passage of Ecclesiastes 3:1-7, this anthem is a poignant reminder that in all of the seasons of life we find new meaning and purpose. The sensitive accompaniment reflects the
With artful simplicity, Craig Courtney has recast this beloved hymn with a nod to Appalachian hymn style. Voices, piano and solo violin spin a delicate tapestry around the melody, pausing for a verse
This achingly beautiful choral work centers on the garden of Gethsemane as the turning point for the Divine promise in Revelation 21, where the Almighty declares "I have made all things
The Image of God is a heartwarming tribute to "God's disabled children, all of whom bear His image." Beautifully crafted for voices, keyboard, and violin, flute, or oboe, this composition
Craig Courtney's best-selling setting of NICAEA, suitable for the entire church year, is now available for mixed, treble or male choirs!
This beautifully written anthem for SATB voices, piano and cello brings us to the anointing of the feet of Jesus with oil. The delicately descending vocal lines emulate the oil as it gently falls from the
From the opening majestic strains of the introduction to the worshipful choral sections, this arrangement has it all. Whether you choose to use voices and piano, or the masterfully crafted orchestration,
This gorgeous arrangement by Craig Courtney uses the original hymntune MARGARET by Timothy Matthews and text by Emily F.S. Elliot. Skillful voicing coupled with a beautiful piano accompaniment make this
By combining two scriptures from the books of Ruth and the gospel of John, Craig Courtney has fashioned a compelling essay on friendship and brotherhood that reaches to the depths of the soul. Noble
"There is an everlasting kindness You lavished on us when the Radiance of heaven came to rescue the lost; You called the sheep without a shepherd to leave their distress for Your streams of forgiveness and
This is an excellent contrast to that big Easter Sunday anthem. The well-known Old Testament text is paired with words from 1 Corinthians 13 in which we are told that our understanding will be made
Here is a spirited setting of the well-known Catalonian carol also known as LO DESEMBRE CONGELAT, rendered with an English translation by Howard Hawhee. Four-hand piano, flute, oboe and percussion
A bold statement of confidence in the Lord's ability to lead, this driving anthem is both an energetic song of praise and a steel-eyed commitment to follow the One who made us. A quote of DUKE STREET
With contemporary rhythms and accessible vocals, this affirming original work is the perfect vehicle to encourage your congregation. Voice parts can be learned easily, and the text from
Craig Courtney has created a beautiful treatment of this beloved hymn. The piano accompaniment has a lovely yet mysterious quality that yields briefly to a short a cappella section. This arrangement
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