This haunting original work is perfect for Lent or any contemplative moment in worship or concert settings. Utilizing just 12 bells between F5 and C7, this reproducible selection is a perfect choice for the

The resoluteness of this original tune is a perfect fit for a Charles Wesley hymn recounting the story of Isaac and Abraham, evoking unswerving faith amid the test of sacrifice. The varied a cappella choral

This peaceful instrumental piece has been adapted for choral singing through a poignant sacred text from Pamela Stewart. This choral version is appropriate for Holy Week services and features English text

This haunting setting of a beloved chant is a great choice for the ensemble looking for something different and versatile. While the piece can be played by handbells and handchimes alone, the inclusion of

A moving lyric is decorated with memorable music in this effective piece based on a lesser-known text by Fanny Crosby. The text displays the journey of life with tenderness, hope, and authenticity.

From the highly successful Holy Week cantata Song of the Shadows, here is the incredibly beautiful and lush Agnus Dei. The Latin text Behold the Lamb of God is always moving. In this

Donald McCullough includes an interesting and lush organ part to accompany an original melody set to a familiar Lenten text. The part-writing is accessible and the altos are featured as a

A useful collection of pieces based on six Lenten hymn tunes, this also includes a five-movement partita on HERLIEBSTER JESU. Beautifully written and extremely useful. Contents: The Glory of These Forty

This haunting, reflective setting of two well-known hymn tunes will enhance any Lenten or Holy Week worship service. Your ensemble will be able to display a wide range of dynamics as well as beautiful

This delicate setting of HERZLIEBSTER JESU is perfect for Maundy Thursday, Good Friday, or any Sunday in Lent. Written for eight handbells between F5 and F6 with no bell changes, it can be played by

This delicate setting of the hymntune MARTYRDOM is perfect for use any time during the Lenten season. Written for eight handbells between F5 and F6 with no bell changes, it can be played by anywhere from

Set to the tune KINGSFOLD, this Isaac Watts hymn text takes on a mysterious and somber character in this exquisite arrangement. Simply scored for piano, choir, and solo violin, the harmonic structure and

Choir, handbells, brass, and congregation join together for this Palm Sunday hymn of praise! A driving accompaniment characterizes the first and third stanzas with standard harmonies, while the second

All We Like Sheep Have Gone Astray - from Messiah by George Frideric Handel transcribed for Instrumental Quartets and quintets. This is an advanced Intermediate level work from Part II of Handel’s

From Lent to Good Friday, the church pianist needs to prepare music for many quiet and thoughtful moments in worship services, including preludes, prayer times, and Communion. This volume brings together