Although this is an original work, the words, which simulate a tribal language, give it a world-music feeling. In fact, the chant-like character of the piece almost makes you feel as though you are taking
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Now in a second edition, this a cappella setting of Agnus Dei from the major work "The World Beloved: A Bluegrass Mass" is rich with lush harmonies that breathe new life into an oft-set text. This work
Al Shlosha D'varim is a lyrical setting of an essential maxim from Jewish morality laws, translated to mean: "The world is sustained by three things: by truth, by justice, and by peace." Available
From the Grammy-nominated work The Lost Birds, this simple melody inspired by children's songs is a setting of Sara Teasdale's poem "In the End." Showcasing her signature pairing of nihilism
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"Mass" was composed for the 1971 inauguration of the Kennedy Center for the Performing Arts in Washington, D.C.,at the request of Jacqueline Kennedy Onassis. This movement is a prayer asking the Almighty
"The latest sun is sinking fast, my race is almost run..." The beloved American folk hymn from Kirchner's Heavenly Home collection comes to life anew, with soaring descants, countermelodies, and rich
To Shiver the Sky is an oratorio about the history of flight and mankind's quest to conquer the heavens. Told through the words of 11 of our greatest astronomers, inventors, visionaries, and
Often translated as "times gone by" or "days long ago," this is a song of friendship and goodwill. Traditionally associated with New Year's Eve festivities, this Scottish air is also appropriate as a
This opening chorus from Smetana's most beloved folk opera is filled with the popular spirit, sounds and rhythms of Czech folk music. The effervescence of the music and the camaraderie of the villagers -
From Three Motets for Unaccompanied Choirs, this work for SSATBB voices is a strong contest/festival selection for mature choirs.
This marvelous poetry is by award-winning Canadian poet, Wendy Jean MacLean and is based on traditional and contemporary thought on the nativity, linking together both sacred and secular images of the
This arrangement captures the spirit and the pomp of the traditional processional where the highly decorated dishes of the Christmas feast were presented with song and the great platter on which rested the
This lively arrangement is based on a sturdy American hymn tune with a text by Reginald Heber. The accompaniment provides a solid base and colorful riffs while the tune is presented in unison, canon, and
"Can you hear my cries? I am calling out to you." The global community of children speaks together in this dramatic call for a better future that uses worldbeat sounds, unified chordal harmonies, and
This suite for SATB voices includes: The Best of All Possible Worlds; Candide's Lament; It Must Be So; Make Our Garden Grow and Oh, Happy We.
The arranger draws on his long experience with Leonard Bernstein, to create this unique choral setting that weaves together some of Bernstein's most famous works including: Almighty Father
Sung completely in Hebrew, this delightful Israeli song, with its text based on a song from the Tanakh (Old Testament) Song of Songs, is an excellent multicultural experience for young singers. It is a
This work merges classical singing along with the Sami yoik tradition to create a fresh new sound. All the lyrics, except for the words Dona nobis pacem are yoik syllables with no linguistic
The opening musical number from the Disney animated feature "Frozen," this song is inspired by indigenous Saami and Norwegian culture, a combination of Saami yoiking and the Danish Christmas hymn Dejlig
With a text centered around divine love, and the depths of that love, the music is characterized by slow-moving cluster chords, soaring voice leading, and first inversion chords that give a feeling of