A delicate Lied sensitively set for two-part or three-part voices. The piano accompaniment is especially beautiful and appropriate for this masterwork from the Romantic era. Teaching opportunities abound to
A minimum quantity of 5 is required on this title.
Male voices take the leading role in this mixed-voice arrangement of the tender and well-loved solo piece attributed to Caccini and usually sung to Ave Maria. With long lines, a colorful
Every part has a chance to sing the simple melody in this flexible arrangement of the classic canon. Designed to be an a cappella selection, it also includes a piano part that is a real accompaniment, not
This authentically constructed arrangement of the Schubert masterwork features reasonable ranges and accessible reading for young developing singers. German and English lyrics are both included in the score
This familiar aria from the opera Rodelinda is a fine choice for developing choirs. With lyrics expressing the calming, healing, and joyous powers of music, it can be performed for a variety of occasions. A
Now available in a TTBB voicing, this authentic arrangement of the classic motet gives men's and mixed choirs the opportunity to perform this important piece by one of the most important composers of the
Arranged for tenor-bass ensembles, this important selection from the standard choral repertoire can be experienced and enjoyed by a new audience. True to Pitoni's original, Leavitt preserves the classic
One of the most recognizable pieces in vocal standard repertoire is brought to the tenor-bass choral world in this new adaptation of an old favorite. The original setting and melody is preserved for
From Purcell's "Birthday Ode for Queen Mary," which also includes other well-known odes, such as Sound the Trumpet and Strike the Viol, this setting of Come, Ye Sons of Art has
This stately and elegant setting of Purcell's masterwork from Birthday Ode for Queen Mary is adapted specifically for developing choirs. With vocal ranges that work well for young singers, the
Schubert lied with Heine text arranged for choral voices. True to the original, with German text and English translation given within the score.
One of Schubert's early works, penned in 1816 while he was only 19, this work hearkens back to an earlier time. The running eighth notes in the piano accompaniment with triadic harmonies in the upper hand
This modern performance edition of Aiblinger's De Profundis is based on a hand-copied score found in Dresden, Germany and adheres closely to the original source. Mixed ensembles of all sizes will
Schubert lied with text from Muller arranged for treble or tenor-bass choirs. True to the original, with German text and English translation provided in the score.
This arrangement provides a wonderful first step into singing masterworks. Optional flute and cello parts are available to enhance the well-written vocal parts. The piece is sung in Latin, with a
This well-written arrangement is a wonderful festival piece for middle school choirs. A nice introduction to singing in Latin, the easy-to-teach piece includes a pronunciation guide and translation for the
Blending scholarship and practicality, this performing edition of a Palestrina masterpiece can be performed a cappella or accompanied using the keyboard reduction. This is quintessential Palestrina with
This chorus from Haydn's Heilgmesse is an ideal introduction to classical style for treble choirs. Explore musical phrasing, quality tone production, and pure vowels with this simple Latin text and
Beginning with joyous acclamations, this exuberant piece features a polyphonic middle section followed by a lyrical presentation of the "amens" and the return of the homophonic style in the closing
Introduce your choir to Vivaldi's masterwork with this sensibly adapted edition for developing choirs. Conservative ranges and the accessible Latin text give an educationally sound experience with high
While Salieri was not as heralded a composer as many of his contemporaries, he made significant contributions to sacred choral works during the years 1788-1824 as Hofkapelmeister to the court in Vienna.
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