Long vocal lines and piano flourishes imitating the ch’in and gong, and far eastern flavors and colors evoke the vastness of Pearl S. Buck's beloved China.
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Echoing repetitions, supported by a shimmering vibraphone, create the frosty soundscape of Sara Teasdale's poem as the voices strive to make a single song "as lovely and full of light, as hushed and brief
"We clasp the hands of those who go before us, and the hands of those who come after us..." This unifying text by Wendell Berry preserves our sense of heritage and connection. Barnett's artistic setting for