This song was written by American musician Robert Lamm, one of the founding members of the rock-jazz fusion band Chicago. It was recorded for their second album, Chicago, with Peter Cetera on lead

Aboriginal Dreams is a multi-movement work beautifully scored for 13 players. The first movement, Ritual, is introduced with powerful triplets and works into a sixteenth feel often

Here is a '90s party tune arranged for percussion ensemble with steel drums. It has an infectious melody driven by a fast clave groove. There are plenty of breaks and solos giving

Johnson is one of the Big Three of ragtime, along with Joplin and Lamb. This piece in the style of an 1800s fox trot.

Does your audience want a good show? Of course they do! Scored for drumset and as many plastic and metal garbage cans as you can find, this piece by Ed Argenziano seriously

Featuring nine pieces, each playable on cajons, congas, djembes, or any combination of the three, All Hands on Deck is a flexible collection of hand drum ensembles that is ideal for many different

A fun and accessible arrangement of the classic jazz standard for keyboard percussion quartet with drum set. The walking bass line in the bass marimba gives it the perfect jazz combo feel. Perfect for

Bach's popular Allegro movement from Brandenburg Concerto No. 3 is perfect for mallets in this 6-part arrangement.  Ideal for assessment programs.

Classic work arranged for marimba quartet.

Meaning "the soul has no color," Alma Nao Tem Cor is a medium-level piece with a rhumba-clave groove. It is written for large mallet ensemble, rhythm section, and optional steel drums.

Originally a marimba and piano duet commissioned by Una Duo, Almost Beyond was inspired by the poem and beautiful watercolor print of the same name by StoryPeople creator Brian Andreas.

A timeless melody that has been arranged for almost every combination of instruments and voices imaginable. Here is an Afro-Cuban influenced arrangement for mallet percussion and an accompanying ride cymbal

This emotional showpiece for large percussion ensemble weaves together familiar elements of Americana. Arranged in a cinematic style, the piece begins with a traditional drum cadence that gradually becomes

By choosing these two contrasting works as his wellspring - the traditional French hymn Angels We Have Heard On High and Beethoven's immortal Moonlight Sonata - the composer is able to