This arrangement, based on the original autographed edition, introduces everyone to a little known classical gem by Michael Haydn, the younger brother of Joseph Haydn. With either piano or ensemble

Evocative and moving polyphony paired with a text meditating on mankind's relationship with God.

Careful editing and research bring this beautiful, polyphonic choral piece back to the performance hall. Part of the American Romantic Choral Series, this will be a great addition to festival and collegiate

A beautiful choral piece from the American Romantic Choral Series. Using a mixture of Latin and English, this Ave Maria setting captures the harmonic chromaticism of its time. It is relatively easy and

A serene and devotional work to the Virgin Mary in polyphonic style.

This newly edited and re-engraved excerpt is from the Liszt's larger work Christus. This selection opens the second of three sections of the oratorio  which describes the life and ministry of Christ.

Grounded and powerful, this work rises and falls with tuneful motifs shared between upper and lower voices.

A cleverly written piece with a text by Alfred Lord Tennyson, the music at times reflects a madrigal with romantic era harmonies. The sound of the bugle is described in a rhythmic motif that is echoed and

Caligaverunt Oculi Mei (1585) is the ninth responsory for the matins of Good Friday. Scored for unaccompanied mixed voices, the text combines scriptures from Job and Lamentations as an allegory

With the option to perform a cappella or with basso continuo and cello, Monteverdi's masterwork breathes new life in this edited version for divisi mixed choirs. An exciting texture that bridges the

This classic piece composed in 1865 holds a cherished place in the choral repertory for concerts, festivals and services. Presented with an English singing translation in addition to the original French,

Probably Faure's best-known and most frequently performed work next to his Requiem. The lovely melodic lines are over triplet figures in the accompaniment, which can be done on piano, harp, or with a small

Confitebor Tibi (Psalm 111) is the second movement in a collection entitled 14 Psalmi breves (14 Short Psalms) by Johann Aiblinger. Written for SATB choir and piano or optional strings,

This piece from Missa Abreviada, CPM 112, has been edited for choir with solo quartet and piano accompaniment. Beginning slowly, the piece moves into a spirited fugal setting of the traditional Latin

From the American Romantic Choral Series, this song announces the day, rolling in from the sea and advancing into the farms and towns. Although the text claims "not yet to be quiet," the music carries the

A little-known choral gem by Johann Michael Haydn, Banner's edition with optional strings and trumpets is based on the autograph score in an authentic classical setting for your mixed choir. Conservative in

This famous solo by Beethoven is given a choral treatment, by the composer himself, in the original language.

This edition of the well-known choral masterwork from Mozart's "Requiem," now available for mixed, TTBB, and SSAA voices, has become a standard for today's choirs. Patrick Liebergen has re-scored the

The cries of the damned open the powerful second movement from the Mozart Requiem. “Day of wrath, day of judgment” makes a dramatic choral statement with a mostly homophonic texture. The piano

This joyful choral work ebbs and flows, and is brought to a close by a lilting unity of voices.

Ludwig van Beethoven composed his Elegiac Song in memory of Eleonore Pasqualati, the wife of his longstanding friend and patron Johann Baptist Freiherr von Pasqualati zu Osterberg, who died at a

This work from the pen of Johann Michael Haydn - brother of Franz Joseph-  is another example of a newly discovered piece for mixed voices that may be performed with piano accompaniment or two