This cantata, one of Coleridge-Taylor's final works written in 1911, sets the oriental poems of his good friend Alfred Noyes. The work was premiered in 1911 conducted by Arthur Fagge. 

For chorus, guitar & bodhran.  First printing.  An Irish Colloquy.  Vocal score.

This new arrangement adds some inspirational and uplifting elements that are characteristic of Mealor to the classic Scots poem by Robert Burns. 

Edited by Stuart Campbell. For SATB/SATB choir. Long known inaccurately as Vespers, this masterpiece draws on Orthodox chant and the performance tradition of Russian folk music. This edition offers

Commissioned by St. Norbert College in celebration of the 900th anniversary of the Norbertine Order through the generous support of Frederick L. and Teresa Schmidt and the Choral Music Endowment Fund. First

Commissioned by the American Choral Directors Association as the Raymond Brock commission composition for 2018, here is a lush, neo-Romantic setting of texts compiled from the bible and imploring all of us