2000.fi was composed as a fanfare for the new Millennium and is a solo vehicle for drums. The writing is very contrapunctual in some sections. It benefits from twelve-tone technics in some of its
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Not the tune by Chicago! The composer came up with the groove for this chart while driving Interstate 95 in Miami. Since it is in 6/4 time, the title jokingly speaks for itself. Solo spots are for
A medium swing chart with a guitar solo introduction.
This arrangement of the beloved hymn begins with a rubato statement of the first verse and moves into a gospel/swing 3 feel. Keys: C modulating up to D-flat, modulating up to D. Also featured
This small group arrangement for 3 horns and rhythm section alternates between an Afro-Cuban feel and an easy 3/4 swing with fluid and richly harmonized melodic lines.
Beginning with an opening chorale by the trombone section, then the rest of the winds, August Dreams is a gorgeous trombone solo feature that settles into a lovely, modern bossa-like
This is a fun (and easy) chart that you can add into your holiday season concert with just a little rehearsal. Intriguing harmonic shifts and some surprise modulations keep this familiar tune interesting
An up-tempo rendition of the Vincent Rose standard, this arrangement features extended solos for trumpet and piano. Saxophone players get a technical challenge on this one! Instrumentation: Alto I/Flute,
This movement is written for full big band, including woodwind doubles with alto saxes on flutes and B-flat clarinets; tenors on B-flat clarinets; and baritone sax on bass clarinet. Additionally, the
Begin, Began, Begun is a clarinet solo feature with nods to Artie Shaw and Eddie Daniels. The style undergoes changes from a groove with a 16th pattern on hi-hat, to afro-cuban 6/8, to medium
Bitter Jug is an up-tempo swing chart featuring an original melody written over the chord changes to Fats Waller's Jitterbug Waltz. The solos can be played by any instruments, and
Oscar Levant's classic ballad is set here as a feature for female vocalist in the key of B-flat. It modulates to C for a piano solo with a return to the original key for the vocal re-entrance.