2000.fi was composed as a fanfare for the new Millennium and is a solo vehicle for drums. The writing is very contrapunctual in some sections. It benefits from twelve-tone technics in some of its
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Not the tune by Chicago! The composer came up with the groove for this chart while driving Interstate 95 in Miami. Since it is in 6/4 time, the title jokingly speaks for itself. Solo spots are for
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A medium swing chart with a guitar solo introduction.
This small group arrangement for 3 horns and rhythm section alternates between an Afro-Cuban feel and an easy 3/4 swing with fluid and richly harmonized melodic lines.
Beginning with an opening chorale by the trombone section, then the rest of the winds, August Dreams is a gorgeous trombone solo feature that settles into a lovely, modern bossa-like
This movement is written for full big band, including woodwind doubles with alto saxes on flutes and B-flat clarinets; tenors on B-flat clarinets; and baritone sax on bass clarinet. Additionally, the
Bitter Jug is an up-tempo swing chart featuring an original melody written over the chord changes to Fats Waller's Jitterbug Waltz. The solos can be played by any instruments, and
Oscar Levant's classic ballad is set here as a feature for female vocalist in the key of B-flat. It modulates to C for a piano solo with a return to the original key for the vocal re-entrance.
This is an arrangement of a composition by Peter Bernstein. The featured solo is for guitar.
Boogalues is a medium Boogaloo blues in the key of D, written as a guitar feature in the style of Wes Montgomery with the melody in octaves. It's appropriate for strong high school bands, as well
Composed as an exercise in restraint built off a simple two-chord motif, this tune gets twisted from a modern jazz trio to an a cappella orchestral interlude, and finishes with a rocking flourish. The solos
This chart is an adaptation of the Dirty Dozen Brass Band version with an infectious groove! Tuba is essential to the general character, but the part is playable with a good bass trombone substitute. The
Commissioned by Gene Aitken for the University of Northern Colorado/Greeley Jazz Festival All-Stars to feature saxophonist Don Aliquo, Come On In is a medium shuffle in minor blues form that
Here's an Afro-Cuban adventure in polyrhythms that also includes some 3/4 swing, featuring solos for trumpet and trombone or tenor sax.