Oh, yes! This is a superb setting of the iconic jazz ballad that features the alto sax star in your band. The alto solo is mostly written with opportunities to improvise around the melody, and the ensemble

Pat Metheny is known for his beautiful melodies, and Back in Time is no exception. Featuring a flugelhorn or trumpet soloist throughout on a written-out solo with chords included for improvisation,

One of the last original pieces composed by the late Fred Sturm, this may be one of the most beautiful. Sensitively arranged by David Springfield as a quiet ballad concert piece with no improvisation,

Paul Simon's soulful rock ballad is set here at 88 bpm, and as arranged by Paul Baker is sure to please! The melody is first stated by trumpet 2 and tenor sax, there are no improvised solos, and the trumpet

Now in print for the first time, this was originally written in 1987 for the Richard Stoltzman album titled Ebony, featuring the Woody Herman Big Band. Duke Ellington's Come Sunday featured

Hey rock fans, here's a powerful rock ballad made famous by Journey, arranged for young jazz ensemble. From the opening line, this chart is magical to the band and the audience. It has no jazz solos, but if

Kris Berg has composed a beautiful, sensitive and mature solo feature for B-flat, E-flat instruments or trombone. The ensemble is equally important in this setting at around 74 bpm that transitions

The timeless and beautiful Cootie Williams and Thelonious Monk classic is set here as a flugelhorn feature. The band and soloist get to stretch out some in a double-time interlude before returning to the

Here's an outstanding Kenton-style ballad that showcases the lead trombone and the trombone section. The chart builds during a 12/8 section which makes it an even stronger choice as an excellent ballad

Show off the sensitive side of your band with this ensemble ballad with no featured soloist. There is a brief four-bar written trumpet melody; otherwise, it's all ensemble blend with a lush texture and a