A beautiful rendering of this well-known Lenten text, for two-part harmony and optional accompaniment. Occasional dissonances add drama and tension to this traditional composition. Beautiful.
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Originally attributed to W.A. Mozart, this sacred gem is a staple of the choral literature and a fine choice to develop blend, intonation and phrasing with your mixed choirs. Appropriate for Lent, communion
With a fresh new text by Susan Palo Cherwien, As Your Spirit in the Desert is especially perfect for the first Sunday in Lent. Written for SATB choir or soloist, organ, optional oboe, and
Based in part on Genesis 3:19, this anthem was designed for Ash Wednesday. Written for assembly, SAB choir, keyboard, guitar, oboe, and cello, the music and text combine to create a meaningful piece for the
"At the cry of the first bird, they began to crucify Him." This Holy Week anthem has a moving anonymous text with a picturesque piano accompaniment. The unison choral writing expands into four parts, with
Constructed almost as a choral recitative and aria, the first section But He Was Pierced is unaccompanied. All We Like Sheep follows, with its jaunty changing meters and a keyboard
For SATB (with divisions) unaccompanied. An impressive setting of the Gradual for Maundy Thursday, dating from 1884, the period of the Seventh Symphony and the Te Deum. A staple for choirs around the world
Based on Joel 2:13, this verse and refrain anthem is a meaningful choice during the Imposition of Ashes on Ash Wednesday. The music is lyrical and asks the listener to "Come back to the Lord." There
A new text and tune for Ash Wednesday with unison or two-part choir for children's voices, piano and flute. Don Petering's text explores the meaning of the ashen cross worn on Ash Wednesday. The
This easy anthem for SATB and 3-octave handbells or piano uses the melody and harmonization of Orlando Gibbons' hymn tune SONG 46. A fair amount of unison and two-part singing precedes the four-part final
"God so loved the world that He gave his only Son, that whoever believes in Him shall not perish, but have eternal life." This extraordinary verse from John 3 is so beautifully expressed in music that all
This short collection presents the complete set of hymns from Chilcott's stunning setting of the St. John Passion. The five well-known hymn texts are set to new, original melodies, which are
Melchior Frank's accessible a cappella setting of John 3:16 is a great way to introduce classic literature to your choir. William Braun's edition translates the original German text into English and sets
This intimate setting of Psalm 63 is perfect for liturgical use as a responsorial psalm or in morning prayer services. The short refrain is instantly attainable by the assembly while the persistent
This original tune reveals new dimensions within a text that invites deep reflection on this petition of the Lord's Prayer. The setting may be easily mastered by two-part mixed choir, with only a few
Farrell sets the text of John 3:16 as a flowing choral anthem, suitable for use during Holy Week and funeral liturgies. Unique harmonies add interest to this well-known text. Lovely!
This setting of John 3:16 is set for two treble instruments and SATB chorus. The choral parts are well-crafted and ranges are reasonable. The fresh take on a familiar text makes this piece a great
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This anthem features the beloved hymn text in a gorgeous new tune and setting. The good news of God's love for us is expressively proclaimed through the full dynamic ranges of the choir and organ. Careful
This Joseph Swain text, based on the Song of Solomon, and the American folk hymn tune SAMANTHRA are given a tender setting for SATB choir and piano. The piece is easy to learn and to sing.
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