Here is a superb chart on a wonderful jazz standard. Typically a ballad, this treatment is a straight-eighth feel with smooth cascading lines. Written-out solos are provided for trumpet and alto. Includeds
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You know it, you love it! The opening motive is very catchy on this authentic sounding chart on the rock classic made famous by the group Chicago. Master arranger Mike Story works his magic to create an
More accessible than most Gordon Goodwin charts, this one is a killer funk tune that is unbelievably exciting! Your jazz band players and audiences will dig the poppin' rhythmic figures, the funky
Here's a wonderful take on the group Toto's classic rock tune from the '80s. It's solidly scored throughout and sounds amazingly like the original while remaining accessible for developing jazz bands.
You know it, you love it! This Meghan Trainor megahit is set at around 136 bpm with a solid rock groove, has no solos, and will be a favorite with students and audiences. This Victor Lopez arrangement
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You guessed it, Alligator Boogaloo is a funky rock chart with a boogaloo groove played around 136 bpm. It's a simple blues with a great melody introduced by alto and trumpet. Written solos
A standard that really hits the mark! It begins with a bass solo and a trio of winds takes the head. The lead trumpet range to written B above the staff, and there is solo space for tenor with a sample solo
A real jazz classic, this chart kicks! The features include a medium swing style, a written or improvised solo for tenor sax, meaningful ensemble passages, exceptional soli lines, superb phrases, and a
What a great title! This fun original is clearly a great rock arrangement for young jazz bands. Additional features include specific articulation notations, easy brass ranges, a written tenor sax solo (the
Here's a Wes Montgomery bossa/rock tune that grooves along at around 145 bpm with the melody line played by tenor 1 and trumpet 2. With very playable ensemble sections and hits,
Oh, yes! This is a superb setting of the iconic jazz ballad that features the alto sax star in your band. The alto solo is mostly written with opportunities to improvise around the melody, and the ensemble
Crazy title? It's from the movie of the same name and is a tongue-in-cheek swing chart adapted from a much more difficult chart by Gordon Goodwin for his Big Phat Band. Arranged by Ralph Ford for developing
This Mike Collins-Dowden swing-style original features a hip melody, interesting call-and-response passages between the saxes and brass, nice dynamic contrasts, a written or improv solo for trumpet, and