"I shot an arrow into the air, It fell to earth, I know not where;" You've heard the famous poem by H.W. Longfellow but you've never heard it rendered with such class. This is a golden nugget for

There is some divisi in this lovely setting of the beloved Longfellow poem, but it is well within the abilities of many high school a cappella choirs. With beautiful harmonies and accessible ranges, it will

In this fast and energetic piece, Quartel sets her own text celebrating the joy of singing. The melody weaves in and out of the texture, supported by dynamic vocal accompaniment and rhythmically driven by

Funky and fun, this piece has a new and energetic sound that students will enjoy. The contemporary a cappella style, exciting percussion parts, and opportunity for choreography combine to make this an

The patron saint of music, St. Cecilia, receives an energetic tribute with this delightful piece featuring a blend of styles and optional percussion.

This well-known Italian madrigal by Orazio Vecchi is offered in two voicings, enabling singers to be successful while staying true to the style of the period.

This vivacious Italian madrigal is a true classic in the concert/festival repertoire – and with exceptionally good reason! In addition to being an absolute delight to sing, it convincingly conveys a

A beautiful a cappella setting of various Shakespeare texts commissioned by the University of Notre Dame Men's Glee Club, Daniel Stowe, conductor, in celebration of the 400th anniversary of the death of

The well known folk hymn receives a creative modern setting in this arrangement for treble choirs. Sections of aleatoric harmony create a lamenting quality to lines of this text, and new harmonies bring a

This beautiful a cappella arrangement was commissioned by Cantus for their album A Harvest Home. Written as a companion piece to the setting of Simple Gifts, this arrangement sounds traditionally

This arrangement of the American folk hymn is inspired by the shape note or Sacred Harp tradition, marked by the placing of the melody in the inner voice, the tendency toward open fifth sonorities, and an

This is a lively reimagining of the 19th-century American folk hymn that opens with a solo verse then proceeds with a soaring top melody supported by the rhythmic vocal accompaniment of the lower voices,

Walt Whitman's poem I Hear America Singing (from Leaves of Grass), with its many references to men singing at their work, seems best suited to the direct and forceful character of your experienced

Philip Silvey honors iconic poet Emily Dickinson with this transparent yet powerful a cappella setting for treble voices. His writing effectively captures the spirit of determination expressed in her poem.

"I should be glad of loneliness and hours that go on broken wings..." Based on a poem by Sara Teasdale, I Should Be Glad captures the gratitude that artists feel as they live and work each day.

This piece sets a text exploring how singing can be shaped through gesture, "inspiration, wit, and will." With minimal divisi, the vocal parts explore ranges from low to high in rich harmony,

Scored for a cappella TTBB voices and French horn, Music on the Water offers your men's ensemble an interesting musical interpretation of the text by William Wordsworth (1770-1850). While not

A longtime festival favorite for SATB divisi choirs, this remarkable a cappella setting of a 17th-century poem by Andrew Marvell celebrates the power and influence of music. This setting is now available

A meditation on the mystery and wonder of music, this Estonian tone poem is a little gem for a cappella choirs. With gorgeous harmonies that intensify the text, this will resonate deeply with your singers.

"My song will be like a pair of wide wings to your dreams, like the fond arms of love it will wind its music around you..." This beautiful text espousing the power of song is set in a flowing accompanied

This choral classic sings vibrantly through rapid meter changes with a romantic text celebrating the joys of young love. It continues to be a favorite with contest and festival choirs.

This lyrical setting of Sara Teasdale's poem starts with a reflective and contemplative tone that shifts dramatically to a more joyous expression celebrating the power of singing - alone and collectively -

Adapting the text from the James Whitcomb Riley poem A Song of Singing, here is a song for tenor/bass choirs that celebrates the joy and exuberance of singing. With a fast and jazzy feel