This powerful rock ballad, with its blues-tinged melodic and harmonic structure, is a great feature for developing alto saxophone or trumpet soloists throughout. The solo part is entirely notated with no
Vibraphonist Terry Gibbs is known for his electric, high energy sound with the Gibbs Quartet and the Terry Gibbs Dream Band. Producer Bob Shad had a contract to produce an album with Gibbs. Shad's idea was
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At the End of the Day is an exceptional ballad solo feature for alto sax or trumpet/flugelhorn. The solo and rhythm section parts are completely written and the ranges are modest with the
Featuring an alto saxophone or trumpet player in a tasty, rock ballad setting, this creative original features a gorgeous solo theme that is completely written. The ensemble provides a lush foundation
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This Ellington-style ballad is what big band music is all about. It features a wide array of potential solos with featured solo parts included for alto sax, tenor sax, flugelhorn, bass trombone, and guitar.
Blues du Jour was designed to be a flexible chart, featuring just about any soloist in the ensemble. The solo beginning at measure 33 may be played by 4th Trumpet, 2nd Alto, or 2nd Tenor. The solo
Feature any melodic instrument with this Doug Beach and George Shutack swing composition at the very easy grade level. The infectious melody and the gospel-flavored harmonies combine to create a chart
This blues chart in E-flat is great for giving your young jazz ensemble just a bit of a push into the key. With its ad lib solo section, you can let students get a feel for their improv skills at an earlier
Crying on the Inside is a lyrical tenor saxophone rock ballad. Optional feature solo parts are also provided for alto saxophone and guitar. The dramatic and suspenseful opening introduces a
Fred Sturm presents another fresh, innovative arrangement. Diva, a solo feature originally written for trombonist Jim Pugh, can be played by trombone, or a soloist of your choosing. It starts with