The monodrama Ahab is the third that Hall has created with librettist Caitlin Vincent. This ten-minute work takes an imaginary approach to the final moments in the life of Herman Melville's

A song cycle from Cipullo's Songs for Baritone, Volume 1. Titles include: Monet's Waterlilies; Hey Nonny No; The Point (Stonington, Connecticut); The Whipping; Those Winter Sundays; Frederick

Excerpted from the ten-movement, 30-minute work "Insomnia," this stand-alone art song for baritone and piano is also included in Cipullo's collection Songs for Baritone, Volume 2.

A set of songs for baritone and piano included in Cipullo's collection Songs for Baritone, Volume 2 and based on the poetry of Linda Pastan. Titles include: blizzard; The Almanac of Last

A set of songs from Tom Cipullo for baritone and piano based on the poetry of Dana Gioia. Also included in the collection Songs for Baritone, Volume 2. Titles include: Rough Country; Prayer at

A song cycle from Cipullo's Songs for Baritone, Volume 1. Titles include: Echo; Impossible; Unbroken; Between Verses; A Plea for Mercy; Glance; Echo 2.

This extended setting is a sort of meditation on memories of past love, as the speaker remembers traveling old paths of place and memory. It captures the quiet calm of graceful scenes that poet Conrad Aiken

This poem by John Keats has been set into a cycle of eight songs for baritone and piano by modern American composer Ben Moore. Songs include: My heart aches; O, for a draught; Fade far away; Away!

Composed in 1984 and revised in 1993, Of All the Souls That Stand Create for baritone and piano is a setting of a poem by Emily Dickinson. The music features free tonality, a consistently

This collection of 12 songs continues Cipullo's outstanding art songs for baritone and piano. An Earth to Walk Upon, a set of six songs, reflects on life in this physical world and compares our

Cipullo's vocal works are becoming increasingly popular. The 14 songs in this volume for baritone and piano were composed between 2002 and 2009. A set of six, America 1968, represent poet Robert

An excerpt from the Western opera "Riders of the Purple Sage" based on the novel by Zane Grey, this aria is scored for baritone and piano.