A flowing refrain unifies this highly flexible anthem. Sing it simply, add the descant, add color with the violin, alternate cantor verses with assembly, and you have a beautiful piece that can be effective

The resoluteness of this original tune is a perfect fit for a Charles Wesley hymn recounting the story of Isaac and Abraham, evoking unswerving faith amid the test of sacrifice. The varied a cappella choral

In this work, a portion of the text from the Prayer of St. Francis ("Where there is darkness, let me show your light") is combined with the Latin Agnus Dei text from the Ordinary of the Mass. From the

From the Revival collection, this title takes the tune HYFRYDOL, adds a modern harmonization and pairs it with the text from Dix and Wesley. Scored for SAB choir, assembly, keyboard, and guitar

This 13th-century traditional Basque carol is paired with the Annunciation text found in Luke 1:26-38. The choral texture varies by verse, with sectional contrast and women's divisi highlighting the

Written for a service of Compline, this celebratory anthem uses fragments of plainchant to create imagery depicting the descending golden light of dawn; it ends with pleas for the despair of night to

Inspired by Ave Maria composed by the Renaissance Spanish composer Francisco Guerrero, this very interesting work co-mingles the Renaissance style with modern harmonic language. It begins with an

The traditional Latin text of the Ave Maria is set to a lyrical melody for two-part voices. The piano accompaniment complements the vocal parts throughout and provides a sense of movement. This

This contemporary setting of the classic Latin eucharistic text finds a charming introduction and conclusion in brief quotes of Felix Mendelssohn's familiar Songs Without Words, Op. 30, No. 3.

 James Weldon Johnson, a Florida native, was born in 1871. He became one of the most influential figures of the Harlem Renaissance through his work as an author and civil rights activist. In 1917, he

Retaining the beauty of the original text and tune (MARVEL), this arrangement incorporates new melodic lines and expanded choral harmonies that mix old and new. The choral texture varies by verse and

Painting with both text and tone, this piece is set for choir and keyboard with very effective optional flute and string quartet. It opens with a short introduction followed by upper voices in unison

Four of the "O" antiphons are the text basis for this Advent song that connects to the etymology of "Bethlehem" meaning "house of bread." Includes solo or SATB for verses and SATB or assembly on refrains,

This contemporary setting is a musical reimagining of the 19th-century hymn of the same title. The music with the words creates a strong sense of urgency using lilting rhythms and a suspended harmonic

A unique Advent song for the assembly that challenges us to reach outside ourselves with hope and love to combat the hate and prejudice that surrounds us. The simple ostinato has various melodies that are

There is no better way to musically bless those embarking on a new beginning (graduation, marriage, sending forth on mission, etc.) than to offer this tender a cappella setting of the traditional Irish

 This reflective piece for choir uses the translation of a quote often attributed to Teresa of Avila, but more likely dating to the mid-19th century. The recurring theme in the text of Christ having

Flowing harmonies set in a lightly syncopated style support three-part mixed voices as they illuminate Wesley's text. Great for Transfiguration Sunday. Musically rewarding, this unique text reminds the

Alleluia! Wake the hearts and minds of each singer and listener with this Eastertide song in praise of Christ. Scored for SATB voices, hand drum and tambourine, this arrangement provides a rousing addition

From the Revival collection, this piece takes the tune LLANFAIR, adds a modern accompaniment, and pairs it with the texts from Dix and Wesley. Scored for SAB choir, assembly, keyboard, and guitar