Descending angels in the form of your sopranos and altos are accompanied by an optional heavenly harp in this anthem written with Eastertide text. The scene between the three Marys and the angels and the

Caligaverunt Oculi Mei (1585) is the ninth responsory for the matins of Good Friday. Scored for unaccompanied mixed voices, the text combines scriptures from Job and Lamentations as an allegory

This short, joyful Introit (or Call to Worship) is a setting of familiar phrases from the Book of Psalms. The work is built from five motives. Motives 1 and 5 are presented (and repeated) individually; the

Seven different verses from the lectionary are included in the octavo, each focusing on some aspect of the word of God. In its simplest form, it can be performed with assembly, cantor and keyboard. There

A setting of an Antiphon from Psalm 57:8-12 with verses from Psalm 100 using the Grail translation.

This stunning set of evensong responses features expressive, lyrical vocal lines and unexpected, striking harmonic shifts. Great expressive effect is found throughout, with varied chord voicings and