This chart features the sound of a New Orleans funeral band historically known as the "Second Line" behind the family and casket. It's a time for celebration coming after the initial mourning

This early jazz standard receives a unique treatment with its inclusion of a small Dixieland group within the ensemble: soprano sax or clarinet, trumpet, and trombone along with the rhythm

Take this familiar folk song with its natural melodic swing, add a New Orleans style swing feel at a tempo of 158 bpm, create nice interplay between the rhythm section and horns, make it

A New Orleans street parade comes to life with this chart! A 2nd line snare drum beat drives the Dixie-based ensemble, complete with tailgate trombone. There are written solos for trombone, alto sax,

Do you ever have requests for your group to play some New Orleans music? Or maybe you simply want to introduce your students to this traditional and fun style. This accessible collection of ten favorite and

Here is a New Orleans-inspired chart that brings a Dixieland feel to your group. There's a great opportunity for open solos that begs for some playful muted trumpet and swinging trombone. This chart

Take a stroll through the French Quarter with this hard swingin' clarinet feature! Dueling trombones and a brief trumpet solo round out one of Ellington's most engaging pieces.

Welcome to Bourbon Street! Part of the First Place for Jazz Series, this New Orleans party groove is sure to get everyone moving. At about 200 bpm, the groove is clearly established in the rhythm section

Introduce your band and audiences to a little "2 beat" and some jazz history with this easy to prepare arrangement of Lew Pollack's 1914 standard. Originally a ragtime piano piece, That's a-Plenty

Based on Lew Pollack's Dixieland composition of That's a Plenty, Les Hooper has arranged an exciting uptempo chart that features solo space for soprano saxophone, trumpet, trombone, and drums.

From Essential Jazz Editions, Set No. 1: New Orleans Jazz, 1918-1927, Tiger Rag has been attributed to the Original Dixieland Jazz Band and several other early jazz artists. Here is an authentic

The swingin' unison vocal featuring all wind players is the definite highlight in this easy level vintage arrangement from 1955! Both before and after that rousing chorus, sax and brass solis and

Everyone knows and loves this early jazz standard! Mike opens with a slow funeral-like march carried by your lead players, before letting the full ensemble break out into some New Orleans second line style