For 4 flutes.  First printing.  Includes program notes in Ger. and Eng.  Set of 4 scores, 24 p. each.

Edited by Alexander Becker, Christopher Grafschmidt, Stefan Koenig & Stefanie Steiner-Grage.  For organ.  First printing.  Performing edition from the Max Reger-Werkausgabe,

Edited by Alexander Becker, Christopher Grafschmidt, Stefan Koenig & Stefanie Steiner-Grage.  For organ.  First printing.  Performing edition from the Max Reger Werkausgabe,

Dmitry Bortniansky is credited with developing the genre of the sacred choral concerto - the musical centerpiece of the Orthodox "Divine Liturgy"- to its highest level. His thirty-five choral concertos for

Edited by Alexander Becker, Christopher Grafschmidt, Stefan Koenig and Stefanie Steiner-Grage.  For organ.  Contains Preludes No. 1-15.  Based on the Series I, Vol. 4 of the

Edited by Alexander Becker, Christopher Grafschmidt, Stefan Koenig and Stefanie Steiner-Grage.  For organ.  Contains Preludes No. 16-35.  Based on the Series I, Vol. 4 of the

Edited by Alexander Becker, Christopher Grafschmidt, Stefan Koenig and Stefanie Steiner-Grage.  For organ.  Contains Preludes No. 36-52 p.  Based on the Series I, Vol. 4 of the

The Moonlight Sonata for organ? This volume demonstrates that this can indeed be an attractive option! The same goes for the hardly less well-known Adagio cantabile from the Grande Sonate

Edited by Felix Loy. For SATB soloists, SATB choir & orchestra. Urtext Edition based on the autograph score. The music was composed in 1735-36, on a libretto by Newburgh Hamilton. This edition includes

Edited by Uwe Wolf. For SSATTB choir & chamber ensemble. Urtext Edition. Preface in Ger. and Eng. Full score, 12 p.

Edited by Helmut Loos. For SATB choir. Preface in Ger. and Eng. In this new edition the text is underlaid in Church

Samuel Scheidt’s eight-part motet Allein nach dir, Herr Jesu Christ survives as an autograph in a composite manuscript in the Stadtbibliothek Braunschweig. However, the original nine part books (eight

Johannes Brahms’s Alto Rhapsody is published here in a new Urtext edition, modernized for present-day performance practice. It is based on the 2nd impression of the first printed edition, as