10 Classical Quartets is a collection of quartets in the style of traditional horn literature, richly detailed and written in a comfortable range, with easy melodies and a lot of counterpoint so

This collection is intended for young horn players and pianists. It stimulates them and makes them grow while having fun. Simple in appearance, these little pieces are nevertheless musically rich in

For solo French horn.  First printing.  Three movements: Ritual; Sarabande and Gigue.  Dedicated to Bruno Schneider.  Includes biographical notes in Ger., Fr. and

The collection of 12 fantasias for solo violin (TWV 40:14-25) by Georg Philipp Telemann (1681-1757) was first published in Hamburg in 1735. The Italian influence of the sonata and concerto is clearly

Contents: The Tortoise and the Hare; The Mouse and the Lion; The Wind and the Sun; The Dove and the Ant and The Mule. 

Urs Brodmann's Ballade for horn and piano is a stunning piece in which the horn expresses grace and elegance on a breathtaking piano accompaniment.

This Ballad is articulated on two key

For French horn & piano. First printing. One movement work. Part of the Adventure in Brass series. Includes program and biographical notes in ... view details

Set piece in the first round of the International Instrumentalwettbewerb Markneukirchen 2020.

1. Mark

Two people overstep each other's boundaries (marks), and become engaged in an agitated

For French horn & chamber orchestra (piano reduction). First printing. Commissioned by Jim and Chantal Farando. Three movement work. Includes program, performance and biographical notes in Ger., Fr. and

The individual movements drew their inspiration from the poems of the Hungarian writer, Attila Jozsef (1905-1937), whose destiny was tragic. The horn and piano are treated as equal partners, and together

An exciting mix of technical virtuosity and stylistic variety, in a collection of 9 duets which are both challenging and fun to play. Reveal the magic of the horn, with its astonishing range, dynamics and

Mister JPC is a twofold homage: to the blues of John Coltrane, and to the talent of the score's dedicatee, Jean-Pierre Cénédèse. It follows the standard outline of late 19th-century and