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Ever since its first publication as a unison or two-part choral in 1976, this piece by Natalie Sleeth has been a top-seller. This arrangement for women's voices retains all the character and nuances of the
This popular and tender Christmas ballad is an absolute must for Christmas Eve services. Now available as a medium vocal solo in the key of F, it is compatible with the choral performance/accompaniment
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A tender, beautiful, and moving spiritual focusing on the details of the crucifixion, the separate stanzas add only a single line each to the song. The arrangement features some blues and jazz chords to
This arrangement focuses on the inherent drama of the Good Friday text. Each verse expresses a different reaction to its question about the crucifixion. The piano accompaniment, which plays a featured role