For SSSAAA voices. A particularly striking piece for a children's choir. With percussion and Latvian text
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From a three-part collection based on poetry by American pioneers, this third piece depicts a barn dance as vocalists circle 'round the instruments, stomp, clap, and perform with general
A minimum quantity of 5 is required on this title.
Sara Teasdale's poem contrasts the familiar stories of shepherds and magi with the priorities of a sleepy newborn. The poet gathers pilgrims from the north, south, east, and heaven above; they converge on
Sensitively composed, this setting of the beloved passage from Numbers 6:24–26 is a reverent closing blessing for sacred concerts and church services. Chorale- and motet-style writing creates textural
A minimum quantity of 10 is required on this title.
A beautiful and moving setting of the Rainer Maria Rilke poem in German, this original a cappella concert work uses the full range of tonal color painting, creating a work worthy of the very best choirs.
Highly rhythmic in both accompaniment and voices with independent vocal lines, this work simply radiates energy with a message of hope and empowerment: "To the stars through difficulties, look upward, move
Although this is an original work, the words, which simulate a tribal language, give it a world-music feeling. In fact, the chant-like character of the piece almost makes you feel as though you are taking
This work, which celebrates and honors Mother Earth, is written in the Sami yoik tradition. The title word Aejlies which translates to "holy" is used along with yoik syllables to allow the human
This reflective composition for a cappella choir uses overlapping, repetitive homophonic textures with harmonies in sustained clusters which build to an emotional climax. This is a prayer for understanding
Now in a second edition, this a cappella setting of Agnus Dei from the major work "The World Beloved: A Bluegrass Mass" is rich with lush harmonies that breathe new life into an oft-set text. This work
The final movement from the larger work "Missa Romantica," this beautiful setting of the Agnus Dei text in Latin from the Missa Brevis appears in two versions: the first is accompanied as it appears in the
This selection combines the traditional with 21st century expression and looks to the eternal with hope and glorious musical vision. Lovely soaring lines in each vocal part create a beautiful choral
Agnus Dei is the fifth and final movement of Dr. Thomas' Mass: A Celebration of Love and Joy. The text is in English, and the supercharged piano accompaniment supports the traditional
A minimum quantity of 8 is required on this title.
This beautiful setting of the traditional Latin text features divisi a cappella harmonies in a mix of ancient and modern, making this a fresh selection for more advanced ensembles.
Based on a traditional Hawaiian chant with original music, this rousing work for advanced treble choirs brings all the drama of a volcanic eruption normally associated with destruction. But in Hawaiian
Long considered "the" original version of this timeless spiritual. The true authenticity of the African-American musical heritage is captured in this Dawson rendition.
A fun, syncopated spiritual for a cappella choir. There's also a part for a soprano solo. Requires a full group, as all parts divide at times. A rousing handclapper!
This a cappella arrangement of the traditional spiritual was featured at the 2016 TCDA convention in San Antonio, Texas. Accessible to choirs of different skill levels, this exciting setting will be a
Also known as The Quiet Land of Erin, this well-known Irish song tells the story of an emigrant who remembers with fondness their homeland, yearning to return one day to be buried there.
A dynamic a cappella world music selection featuring a call and response solo, optional improvised percussion and movement, and a divided choir option. The song is a traditional South African celebratory
This first piece in the suite Three Spanish Songs is a darkly romantic setting of its lyrics: "Your eyes are saying something to me, but what they are saying I do not know."
The second movement from a set of four contrasting memorial dances for unaccompanied mixed chorus. The text, from Isaiah 40, is set to a courtly gavotte in a minor modality. Suite Remembrance,