For Bassoon, Percussion, and Marimba. By Daniel Baldwin. COMPOSER'S NOTES: In July of 2010, my good friend Carl Rath contacted me and asked that I compose a piece for him, along with a percussion colleague

Written in the march style, this original will be a wonderful closer for your next patriotic program. Joyous and enjoyable for players and audience alike, 1776 is a welcome addition to the band

When I started writing this piece I did not follow an extra-musical subject, no story inspired this work. I have simply tried to write a composition that would befit the timbre and expressive of this

This set of variations was written for oboist and friend Lindsey Lyrenmann. They were designed to be a launching point for improvisation during the communion portion of the December 21, 2014 services at

Inspired by Deuteronomy 6:4-9, this piece has lots of unison writing, engaging percussion, and comfortable ranges. Very accessible.

Adagio for bassoon and piano by Bernhard Heiden (1910-2000)- German-American composer, faculty at Indiana University. A beautiful edition of this lyrical work taken from Heiden's 1949

For Bassoon and Piano by Alberto Orefici.

Orefici was a student of Jancourt at the Paris Conservatory. He followed his teachers example by composing the well-known Melodic Studies and

For Bassoon and Piano by W. A. Mozart. The Bassoonists Revenge! Tired of hearing clarinetists play K. 191? This is the beautiful second movement of Mozart's final wind concerto, popularized by Meryl Streep

The Adagio, Op. 30, for Double Wind Quintet was composed in 1897 while Converse was studying with Rhinberger. The choice of instrumentation and key (E-flat major) point to a familiarity with the

By Heinrich Baermann and arranged for Solo Clarinet and Clarinet Choir by K. Tod Kerstetter.