Edited by Paul Horn & Johannes Leisentritt. For SATB soloists, SATB choir, flute, 3 oboes, 3 trumpets, timpani, 2 violins, viola & basso continuo. Urtext Edition. Preface in Ger. and Eng. From the

Edited by Reinhold Kubik.  English version by Henry S. Drinker.  New Urtext Edition.  Preface in Ger. and Eng.  Contains facsimiles.  Duration: ca. 5'.  Full score, 36 p.

Edited by Ulrike Utsch. For SATB chorus, soloists, 2 oboes d'amore, 3 trumpets, timpani, violino ... view details

Edited by Frieder Rempp. For alto, tenor & bass soloists, SATB choir, 2 flutes, 2 oboes d'amore, 2 violins, viola & basso continuo. Urtext Edition. Preface in Ger. and Eng. From the series Bach

In his Passion oratorio Christ on the Mount of Olives, Beethoven succeeded in building on the 18th century oratorio tradition while putting his own personal stamp on the German-language oratorio.

C. P. E. Bach's nine-movement Magnificat (1749), the first great vocal work from his Berlin years, is among the most magnificent sounding, in which the solo vocal parts are also among the most ambitious

With its tonal language, the first of Beethoven's two Masses opens up new worlds of expression for the liturgical texts of the Mass which are expressively modern and forward thinking. Not to be considered a

Beethoven several times described his Missa solemnis as his greatest work, explaining that it came "from the heart." The surviving sources show us how intensively and how long he worked on the

Puccini's operas contain some of the most sweeping and passionate melodies in music history. Perhaps the most famous, this tenor aria from "Turandot" has been skillfully adapted for choirs with piano or