For Bassoon and Piano by Alberto Orefici.

Orefici was a student of Jancourt at the Paris Conservatory. He followed his teachers example by composing the well-known Melodic Studies and

For Bassoon and Piano by W. A. Mozart. The Bassoonists Revenge! Tired of hearing clarinetists play K. 191? This is the beautiful second movement of Mozart's final wind concerto, popularized by Meryl Streep

Completed in September of 1978, Adventures for Three Woodwinds was written for the Kappelle Woodwind Trio, who performed it many times including in Carnegie Recital Hall in New York City. A lively

Aeon: A Miniature Suite for Bassoon and Piano was written at the request of my very good friend, Carl Rath, who wanted a piece based on the very evocative wildlife photographs of Montana artist,

The Andante and Gavotte for Four Bassoons was composed in 1940. Although it bears no formal dedication, it is safe to assume that it was written for Van Vactor's close friends, bassoonists George

The Ballade for Bassoon and Piano, Op. 34, was composed for the bassoon studio examinations in 1912. The work is of moderate difficulty, only utilizing the upper range of the instrument to the

Cantilene Op. 59 for bassoon and piano by Eugene Jancourt (1815-1901). Jancourt's Cantilene is considered by some to be one of his loveliest works, offering the soloist ample opportunities

Berr's composition utilizes one of the most popular selections from Il barbiere di Siviglia (The Barber of Seville), composed in 1816 by Gioachino Rossini. Una voce poco fa (A Voice Echoes in

The Chamber Symphony dates from his New York period before he studied with the legendary Nadia Boulanger (1887-1979) at the American Conservatory outside of Paris. Like other works from his early

Twelve popular works for bassoon with piano accompaniment feature selected works from the major exam board syllabuses, spanning Grades 5 to 8 and beyond. A valuable resource that includes pull-out part and