The beloved second movement of Mozart's Piano Concerto No. 21 (K. 467) is commonly known as the "Elvira Madigan" concerto for its inclusion in the 1967 film of the same name. Michael J. Glasgow was
This dance-band-style original by Leroy Anderson was ranked the #1 song of 1952. Its charismatic melody, traditional tango style, and subtle blues influences captured the spirit of the era, and it became a
Master teacher, composer and conductor Bill Mathis offers a lovely handbell setting of Debussy’s exquisite Clair de Lune. While the notes are relatively easy, the piece offers great teaching
The tune FREU DICH SEHR is given several treatments in this exciting new arrangement for Advent. From joyfully rhythmic to grandly regal, the various sections use a myriad of handbell techniques including
This programmatic original composition will be a unique addition to the concert repertoire, as it is reminiscent of movie music. Its descriptive style tells a tale of love and loss, adventure and peril, and
Composed for the 2012 International Handbell Symposium in Liverpool, England, this work is based on the tune Liverpool by John Roberts. Heard throughout is a contrasting motif formed by spelling
This exciting work will challenge ringers and thrill listeners with its big sound, quick tempos and surprising turns of rhythm along the way. It may be played by bells alone or with optional brass quintet
This is an energetic and joyous arrangement of the tunes OLD HUNDREDTH and ST. FLAVIAN. Exciting LV eighth note patterns, rich, full chords, and the optional use of handchimes make this piece a
Arranged for the Tintabulations Handbell Ensemble of Reno, Nevada, Michael Glasgow's thrilling arrangement of this Christmas tune begins with a stately introduction, easily adapted for use as a processional
This varied arrangement of the 15th-century French processional uses randomly malleted handbells, handchimes, finger cymbals (or triangle), and chime tree to create a mystical, ethereal introduction. A
The opening section of this original work features a sweeping melody over a lush, flowing LV accompaniment. The second section is upbeat and joyful, utilizing malleting, martellato, thumb damping, and ring
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