Al fiero mio sospetto is the Bass aria from the opera "La Caduta dei Decemviri" ("The Fall of the Decemvirs") by Leonardo Vinci (1690 - 1730). It has been realized from the manuscript of the opera
Written for the choir of West Denmark Lutheran Church in Luck, Wisconsin, this contemporary setting of the 17th-Century carol text by Paul Gerhardt, translated by Catherine Winkworth, is suitable for both
Alma del core is the aria from the "opera-pastorale" "La constanza in amor vince l'inganno" ("Faithfulness in love conquers treachery"), composed in 1710 and revised in 1716 by Antonio CALDARA
Consolati, e spera is an aria from the opera "Ifigenia in Tauri" (1713) by Domenico SCARLATTI (1685 - 1757), one of the greatest composers of Italian Baroque. It was arranged for voice and piano by
O che nuovo stupor is an "Aria allegra" by Francesca CACCINI (1587 - after 1641), an early Baroque Italian composer. The realization of the tune for voice and piano, made by Sergei Leonov, is based
Amato ben is an aria from the opera "La verita in cimento" ("Truth in Contention"), composed in 1720 by Antonio VIVALDI (1678 - 1741). It has been realized from the manuscript of the opera and
Apra il suo verde seno is a villanella from the madrigal comedy "Il Carro di Fedelta d'Amore", composed in 1606 by Paolo QUAGLIATI (1555 - 1628). It has been arranged by Sergei Leonov for voice and
Armatae face is known as Altra aria del Vagante from the oratorio "Juditha triumphans" (1716) by Antonio Vivaldi (1678 - 1741). It has been arranged by Sergei Leonov for voice and piano.
Augelletti voi col canto is an aria from solo cantata Lungi dal vago volto by Antonio VIVALDI (1678 - 1741). It has been realized from the manuscript of the cantata and arranged by
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