Originally conceived with full orchestra accompaniment, this glorious setting of LASST UNS ERFREUEN also works well with organ accompaniment. The choral texture varies by stanza and includes some choral

This creative hymn concertato begins with an organ and brass fanfare followed by the congregation singing the CORONATION tune and alternating verses with the choir singing the DIADEM tune. Bright and

After a lengthy introduction featuring organ and C instrument, the choir enters singing HOLY MANNA, first in unison and then in canon. Transitional harmonic regions color the third verse, then the return of

This compelling hymn concertato weds the tune EARTH AND ALL STARS with a majestic text by Herbert Brokering. It is scored for SATB choir and organ with optional congregation. Optional parts for brass

Flute, oboe, and hand drum introduce and accompany this SATB a cappella setting that pairs Newton's traditional text with the tune GREENVILLE, an American melody in flowing 6/8 meter. The vocal parts are

Neil Harmon has created joyous new music, rhythmic and lively with 6/8 and 4/4 in alternation for this traditional carol text. The dance-like setting is full of infectious fun with nice key changes and

This simple but lovely reimagining of the iconic hymn features a gentle syncopation of the familiar SLANE melody. The text, while similar to the traditional, has a more socially responsive slant that will

With an original text by Marilyn Biery, this setting of the Southern Harmony tune, PROSPECT, is a beautiful festival concertato for SATB voices with organ and optional brass quartet, timpani, and

A lilting 6/8 setting of Psalm 103, this is scored for SATB voices, descant, and congregation, with piano and optional 3-5 octave handbells. First the choir sings the antiphon and the congregation copies

A sumptuous banquet of six Christmas carols, this festival setting includes two verses each of Lo, How a Rose E'er Blooming; Infant Holy, Infant Lowly; Winds Through the Olive Trees; Ding Dong! Merrily

This four-movement suite of traditional carols includes Once in Royal David's City; Sing We Now of Christmas; Still, Still, Still and Angels We Have Heard on

A Christmas lullaby carol in triple meter with a sweet melody, this piece is scored for SATB voices accompanied by piano and violin or chamber ensemble. The choral texture varies by verse, with verses one

This fascinating text by Thomas Troeger is constructed like a chain of talismans: "Heart, hold fast. One truth clasp: Center on Christ alone." William Beckstrand has crafted a lovely two-part treble setting

A brilliant brass fanfare introduces the festive LLANFAIR melody associated with this great Easter text. Three verses follow, with instrumental interludes between verses and a descant soaring over the final

This newly-composed Christmas carol is a gentle invitation to the mystery of the Incarnation. The melody, scored for SAB voices and optional congregation, could also be sung by children's voices.

The music for this communion text is constructed with a duet or semi-chorus singing above a choir ostinato, a cappella with hand drum, creating a multicultural, polyrhythmic effect. The layered vocal

The tune ORA LABORA is given a grand treatment in this new anthem setting. The congregation may join with the choir on the fourth and final verse, in which we hear God's voice saying, "Well done!" The

Jayne Southwick Cool has written a stately new tune and text based on Psalm 100 and set in a classic hymn/anthem style. The first stanza is in unison, the second SATB with the trumpet playing OLD HUNDREDTH

A dramatic poetic text inspired by a third-century Egyptian hermit is the inspiration for this choral setting that displays flowing melodies, luscious harmonies, and vibrant piano accompaniment. With a

This accessible arrangement of Carl Schalk's hymn tune, RAABE, is perfect for the smaller choir with optional congregational singing. Susan Palo Cherwien's text compares the story of Jesus's appearance to

The traditional carol text is set to lively new music for SATB voices accompanied by a dance-like organ accompaniment. The vocal texture is simply scored and varied by verse, united by delightful refrains

A mysterious introduction incorporating the clarinet and violin sets the stage for this beautiful treble setting of this favorite carol. The divisi parts are primarily written in canon, which makes for ease