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This skillful setting of the popular Ave Maria text calls for organ, SATB chorus and mezzo-soprano soloist. The choral writing is interesting and engaging. This is yet another great example of Fedak's
A brilliant collaborative effort between long-time colleagues Tim Sharp, Executive Director of American Choral Directors Association, and highly-respected composer and arranger Wes Ramsay, Come Away to the
Taken from the Psalms 33 and 96, this is a festival setting for cantor, assembly, choir, brass, and percussion. This piece makes use of both Latin and English texts for choir and assembly.
This thrilling Gloria is set for SATB voices, organ, and brass quartet. Featuring joyous, symphonic writing, the piece begins with a fanfare interplay between brass and organ, leading directly into angelic
Following the tragic loss of an infant daughter, this beautiful lullaby was commissioned for chorus and guitar to offer the gift of something lasting in the face of impermanence. Incorporating the Catalan
This piece is a setting of the Ordinary of the Roman Catholic Mass intended for concert or liturgical use. The celebratory nature of the text is underlined by the scoring which uses an accompaniment of
This commissioned concertato includes two texts. It proceeds with a brief introduction, two verses, an interlude, verse three for choir only, an interlude with key change, and a fourth verse with descant.
James Chepponis set Alan Hommerding's text for a church dedication in a refrain-verse style, ensuring ease of participation for the congregation. The optional instrumentation provided is flexible, making
From Arnesen's major work Tuvayhun, this sixth movement, also called The Blessed within the work, features an a cappella choral underscoring for prayers offered for the world in a variety
Here is an absolutely gorgeous original, for choir with organ or optional orchestration. A simple, expressive setting of John 14, it conveys the peace and comfort inherent in the well-known text, matched
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Fragments of the melody of CHRISTE SANCTORUM weave in and out of this lyrical setting for SATB, violin, and piano. The text is wide-ranging, covering themes of light, ministry, devotion, and service.
This powerful and inspirational piece with a dynamic piano accompaniment was composed for a performance at the 2011 Texas Music Educators Association Convention. This exuberant work will challenge your
This stunning setting of Psalm 121 is accompanied by organ and violin. The vocal parts lyrically ebb and flow to paint the picture of the hills in the psalm. The unique timbre and engaging vocal lines will
A joyful, jubilant statement of praise. A punctuated choral statement opens in dialog with a robust organ accompaniment, then gives way to a lyrical middle section with soaring soprano lines. The piece then
Composer Dan Forrest has combined the prayers from the timeless Te Deum text and woven them into this artistic and emotional offering. Available with optional chamber and full orchestrations, it is
A powerful and majestic fanfare for voices, organ, and optional brass and percussion. Psalm 118 is sure to be a festive and joyous addition to any service or concert.
A mysterious introduction using keyboard, optional handbells, and oboe gives way to a slow, lyrical 6/8 setting of the psalm. Almost like a courtly dance, the tempo fluctuates with the spirit of the text.
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