This compelling hymn concertato weds the tune EARTH AND ALL STARS with a majestic text by Herbert Brokering. It is scored for SATB choir and organ with optional congregation. Optional parts for brass

Flute, oboe, and hand drum introduce and accompany this SATB a cappella setting that pairs Newton's traditional text with the tune GREENVILLE, an American melody in flowing 6/8 meter. The vocal parts are

Appropriate for All Saints, Easter or general use, this choral reflection on Revelation 21:1-4 has two versions: cello and piano; and violin, cello, and organ. Affirming and lovely.

Neil Harmon has created joyous new music, rhythmic and lively with 6/8 and 4/4 in alternation for this traditional carol text. The dance-like setting is full of infectious fun with nice key changes and

A flowing and soothing setting of Psalm 42, appropriate for general use or in Easter Vigil services. 

A wonderful match of an original melody and newly-written text. A reflection on the Christmas event centering on truth and grace.

This four-movement suite of traditional carols includes Once in Royal David's City; Sing We Now of Christmas; Still, Still, Still and Angels We Have Heard on

This solid and stately setting is useful for any congregation wanting a festive Easter setting for congregation, SATB (with soprano descant), organ, and optional brass quintet and timpani. An extended organ

A concertato on the tune WESTMINSTER ABBEY, this festive anthem is scored for SATB voices and optional treble choir, two trumpets, timpani, and organ. The four stanzas vary in choral texture, including one

This animated setting of the ancient tune CHRIST IST ERSTANDEN is fresh and yet timeless. Renaissance rhythms pair perfectly with the tune's austere nature. Absolutely stunning with brass quartet, timpani,

The tune ORA LABORA is given a grand treatment in this new anthem setting. The congregation may join with the choir on the fourth and final verse, in which we hear God's voice saying, "Well done!" The

This concertato on ST. GEORGE WINDSOR begins with an introduction in which the melody is set against a jaunty countermelody of dotted rhythms, a motif which recurs throughout the piece. The first verse is

A dramatic poetic text inspired by a third-century Egyptian hermit is the inspiration for this choral setting that displays flowing melodies, luscious harmonies, and vibrant piano accompaniment. With a

This easy anthem for SATB and 3-octave handbells or piano uses the melody and harmonization of Orlando Gibbons' hymn tune SONG 46. A fair amount of unison and two-part singing precedes the four-part final

This setting is based on a text by David Bjorlin honoring all those who share their creative gifts with the church. Whether as musicians, preachers, or those who are a living offering, many people hear the

This remarkable arrangement is an easy but striking congregational hymn setting of the tune RUSTINGTON to a text by Shirley Erena Murray. Stanzas one and three are in unison (three with descanting "ahs").

With themes of unity, thanksgiving, and outreach, Mary Jackson Cathey's text is paired with the beloved tune ES FLOG EIN KLEINS WALDVOGELEIN. This hymn concertato is scored for choir, optional solo descant,