Inspired by the classic carol text Silent Night, Holy Night, this setting moves beyond its source material and delivers an exquisite portrait of Christmas grace. A memorable melody propels the

This thrilling carol arrangement begins with a hush and builds in momentum, invoking images of the angel hosts gathering into a multitude to announce Jesus' birth. With just a few

Although Rosephanye Powell often selects sacred texts for her music, it is the uniqueness of her writing style that enables it to serve both in worship and concert. Ascribe to the Lord, one of her

Familiar strains of Angels from the Realms of Glory blend effortlessly into this multigenerational setting for adult choir and optional children's choir. Orchestration for flute, strings, and

"Chestnuts roasting on an open fire..." This holiday classic was a signature song for Nat King Cole, and it's simply one of the most famous and favorite Christmas songs of all time! Mark Hayes' lush

Commissioned for a premiere performance at the Texas Music Educators Association 2000 convention, Joseph Martin's Come to the Music is alive and electric with driving rhythm, memorable melodies,

The third in a set of three songs titled Love Was My Lord and King! based on the poetry of Alfred Lord Tennyson. For TTBB chorus and chamber orchestra or piano. Commissioned by the Orpheus Male

The first movement of the trilogy Divine Encounter is a song in which God invites us to receive His bounty. The first verse of Isaiah 55 is expressed as a celebration rather than the meditative,

The second movement of the trilogy Divine Encounter is based on Micah 6:8 and is a regal and stately expression of our gratitude. As we partake of God's bounty, we are urged to offer ourselves as

The third movement of the trilogy Divine Encounter is a benediction based on the traditional text from Numbers 6:24-26. As Jesus blessed and multiplied the fish and bread, so God blesses the

Written in 1962 during the Cuban Missile Crisis, this meaningful classic is a plea for peace and an affectionate portrait of the spirit of Christmas. The arranger brings a sense of cinematic scope and

This Christmas standard is one of the most recorded holiday songs of our time. This arrangement awakens the beloved song to new possibilities, dressing it in light jazz. The original song unfolds verse by

Dan Forrest's setting of this beloved carol takes a wonder-filled, reflective gaze inside the stable in Bethlehem. The anthem takes its time to savor the beauty and meaning of the scene and to communicate