This chirpy dance is one of Grieg's most famous pieces and comes from the first Peer Gynt suite. It features chromatic harmony, and is mostly staccato - a great workout for all the clarinets.

Butterworth based The Banks of Green Willow on two folk song melodies that he noted in 1907 - "The Banks of Green Willow" and "Green Bushes". This lush textured Idyll features some beautiful

Based on the hymn GOD OF LOVE, this hymn tune adaptation was written for the fantastic flute section during my time teaching at Tabor College. This offering was a featured chamber work on the 2013 spring

This is a fast piece that lays well under the fingers. The piece is a showcase for the flute choir and gives a demonstration of the various instruments of the ensemble. There are two short segments which

Excerpts from two suites by Edward MacDowell, Sea Pieces and Woodland Sketches, are included in this clarinet choir transcription which can be performed with as few as five players. The

Perhaps the most beautiful of Johann Sebastian Bach's melodies, Come, Sweet Death has been transcribed for clarinet choir reflecting performance interpretations created by organist, Virgil Fox, and

Concerto for Clarinet Choir is a vibrant showcase for an advanced group. This dramatic work is an excellent tool for teaching players with advancing ensemble and musicianship skills. Players and

This is from The Art of the Fugue. Scored for 3 C flutes, alto flute, bass flute and optional contrabass flute.

This is from The Art of the Fugue. Scored for mixed clarinet quartet, 3 B-flat clarinets and bass clarinet.

From Swan Lake, Op. 20, this arrangement is written for 2 piccolos, 3 flutes, 3 alto flutes, bass flute and optional contrabass and contra alto flute. Great contrast is demonstrated in this

This is a setting of two 15th Century French tunes which are now commonly associated with Christmas: "Ding Dong Merrily On High" and "Noël Nouvelet". The piece begins with the tune set

Divertimento No. 14 K. 270, is the most sophisticated of Mozart’s sextets, or divertimenti, composed in January, 1777 while in Salzburg. This is his the fifth and final divertimento. Gary

Scored for saxophone choir consisting of sopranino, 2 soprano, 3 baritone and optional bass saxophone.

This lively setting of the famous Scott Joplin ragtime classic is presented here for Grade 3+ groups and is perfect for a lighter selection on your program or an encore to enjoy! Scored for optional E-flat