A simplified and shortened version of the famous Vivaldi movement, ideal for concerts and weddings. At its full length it would suit a bride with a long aisle and a bit of composure time, but there are
Based on the hymn GOD OF LOVE, this hymn tune adaptation was written for the fantastic flute section during my time teaching at Tabor College. This offering was a featured chamber work on the 2013 spring
This is a fast piece that lays well under the fingers. The piece is a showcase for the flute choir and gives a demonstration of the various instruments of the ensemble. There are two short segments which
This is from The Art of the Fugue. Scored for 3 C flutes, alto flute, bass flute and optional contrabass flute.
From Swan Lake, Op. 20, this arrangement is written for 2 piccolos, 3 flutes, 3 alto flutes, bass flute and optional contrabass and contra alto flute. Great contrast is demonstrated in this
This is a setting of two 15th Century French tunes which are now commonly associated with Christmas: "Ding Dong Merrily On High" and "Noël Nouvelet". The piece begins with the tune set
A larger than life, circus themed take on this favourite March, inspired by the sounds of the Wurlitzer fairground organ. After the rousing opening Fucik's themes are used to imply clowns and a flying
Featuring possibly one of the most famous flute solos, this is a faithful arrangement of Vaughan Williams' richly textured English orchestral piece which combines "Greensleeves" and the more robust folk
Those of you who enjoyed Sommersang in the ABRSM grade 5 syllabus will be interested to discover some more of Peterson-Berger's charming music. Here we have four pieces from his Op. 16 book of
Each of the five movements is programmatic, an intended image in the listener's imagination. Scored for piccolo, 3 flutes, alto, bass and optional contrabass flute.
This engaging and satisfying piece from 1923 was originally written for solo flute and oboe with string orchestra. Fugal textures appear throughout the three contrasting movements, which are
This is an anthology of tried and tested, fun enrichment repertoire for group classes, concerts, institutes, and workshops. The ensembles are designed for use in either a reading-based or Suzuki context.
Endearing and laden with motion, this poignant pop-jazz quintet for four flutes and alto flute begins with a haunting low solo, builds through countermelodies and bell tones to its tense climax, and closes