For Two Bassoons & Piano. By Daniel Baldwin. Composer's Notes: Legend of the Fawn was written at the suggestion of my friend, Carl Rath. We were at a recording session of my music in November

Matrix was written at the request of violinist, Alexis Nachtigal, as part of her Nebraska Sonata Project, a series of commissions by composers living in Nebraska. The request was for a piece for

Composed in the Fall of 2013, this work is the first brass trio I had attempted to write. The inspiration came from the desolate, snow-covered, mountainous land of Norway. Written in a sonata form, this

Published in his 1593 Canzonets to Three Voices, Thomas Morley's trio, here transcribed for Two Oboes and English Horn, reflects the joy of the words: "O fly not, love, O do not fly me, Stay

Published in his 1593 Canzonets to Three Voices, Thomas Morley's trio, here transcribed for Alto, Tenor, and Baritone Saxophone, reflects the joy of the words: "O fly not, love, O do not fly me,

Published in his 1593 Canzonets to Three Voices, Thomas Morley's trio, here transcribed for Flute Trio, reflects the joy of the words: "O fly not, love, O do not fly me, Stay awhile, but awhile O

For violin, piano, and cowbell. This piece expresses uncertainty, triumph, and resolution to depict Jonathan Edward's great literary and theological accomplishments in the mid-1700s. Pilgrim's

In the spring of 2016, I had the great pleasure of being commissioned by the United States Air Force Band to write a brass chamber work for two of their impressively accomplished musicians, Michael Brest