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A "fantasia" in the truest sense, this choral tapestry of English carols was composed in 1912 after Vaughan Williams had completed the scores for his first symphony ("The Sea") and the Tallis fantasia. In
This is one of Clara Schumann's settings of a Heine text set for choral voices in the original key of E-flat major. After the score opens with four full measures of introductory music, chromatic harmony is
The melody has a simple innocence, but the harmony provides great warmth and subtlety in this touching love song by Clara Schumann arranged for choral ensembles. Set in a modified strophic form, the setting
Brahms' best songs are small, priceless jewels. They are unusual, mysterious, inventive, bass heavy, uncomplicated, melodious, and they are glorious creations! Op. 63, No. 8 O wusst' ich doch den Weg
Bach's classic work is arranged in multiple voicings to be accessible to choirs of all ages. This edition includes both a secular and sacred English text as well as the option for piano or organ
An excerpt from Handel's "Israel in Egypt," this carefully edited edition is the perfect concert opener or festival piece. Scored for double choir and piano, this Baroque staple is made
A fresh voicing of a classic favorite, this piece will help introduce mixed ensembles to the Baroque style. A curriculum guide authored by Coty Raven Morris and Colleen McNickle with lesson plans and