This wonderful text has accessible settings by David Ashley White for either two-part or SATB choir with an optional C instrument. Different textures are used throughout, and many sections are a cappella.

Craig Phillips has crafted a beautiful setting of the familiar benediction from the Book of Numbers, "The Lord bless you and keep you...." Each choral part moves expressively with Phillips' rich harmonic

Subtitled "a choral hymn," this work is a simple strophic setting of the familiar text. Intended for choral rather than congregational singing, it could be performed either unaccompanied or with keyboard,

These five unaccompanied pieces by Sarah MacDonald are useful as introits or short anthems throughout the church year. Although several can be attached to certain feasts, seasons, or occasions (Eastertide,

The familiar blessing, "May the road rise up to meet you" is set with great simplicity and grace. Perfect for a choral benediction or any occasion of farewell.

Gold and Spices was written for Reading Phoenix Choir in 2018. The choir sings from memory and this influenced the use of patterns and repetitions within the piece, particularly the opening

This brief setting of the traditional threefold text provides several performance options: SATB, SAB, SSAA, or TTBB. The music employs a traditional harmonic language, but with some added contemporary

This expansive chorale motet is based on the familiar hymn melody and text. Scored for double choir, the music unfolds gradually, building to intense climaxes and finally to a resplendent conclusion. The

The familiar benediction from the Book of Numbers receives an expressive a cappella treatment with lush and comforting harmonies. Easy and hymnlike, but with interesting parts for all four voices, it is

An unaccompanied motet for SAB voices (with very occasional divisi) that is a worthy addition to the small repertoire of contemporary three-part choral music. The text by James Quinn, S.J. is a prayer

This exquisite motet by sister and brother duo Elizabeth and Thomas Coxhead has already seen many performances and is sure to become a favorite of many choirs. The music is simple and lyrical, supporting

Cooman's setting of the first verse of Psalm 115 begins with a prayerful, litany-like character. The music builds in intensity, leading to a joyous celebration of God's "love and faithfulness," and a

Annabel Rooney has written a richly beautiful setting of the familiar Latin prayer meaning "Light born of light." Beginning with a simple texture, the lush added-note harmony ebbs and flows expressively

This stunning set of evensong responses features expressive, lyrical vocal lines and unexpected, striking harmonic shifts. Great expressive effect is found throughout, with varied chord voicings and

Sarah MacDonald wrote this set of treble-voice responses for her Ely Cathedral Girls' Choir with the intention that they be "easy and stress-free" (especially for times when the students were busy with

David Ashley White has composed a flexible, powerful anthem for Pentecost or general use. Creates a framework for simple improvisation to create a mystical performance.

Carl P. Daw, Jr.'s metrical paraphrase of the First Song of Isaiah is well-known and appears in many hymnals. Composer Craig Phillips has provided a very distinctive and different setting for unaccompanied

Sean Michael Salamon sets the traditional antiphon (in English) in an expressive manner with great harmonic variety. Largely homophonic and with no divisi, this work could be performed by small choirs.