This crown pleasing circus fantasy returns to its origin in a new version designed to please player and listener alike!
This small collection of works was written in part to demonstrate the versatility of fugal composition, with traditional fugues appearing in the same set with more recent examples. It can be performed
In this simple ternary piece the melody unfolds over a descending bass line, allowing for constant subtle changes in the harmonic landscape. At the same time, the performer is given great freedom for
This short three-voice fugue was written as part of a set of fugues for keyboard. The melody proved alternately ideal for woodwind trio.
A fugue with a Caribbean twist for xylophone, marimba, and bass marimba. It challenges both individual technique and ensemble skills.
This work is derived from the word HERITAGE using note substitution for the letters H, E, A, G and E. The resulting fugue takes on a Latin flavor and unfolds in the ternary form of a concert overture. The
This short continuous work was inspired by, though not necessarily styled after, the music of Shostakovich and begins with a bouncy theme which is developed over several sections with changes of
A tribute to the overtures which were staples of band programs in the late twentieth century.
This blending of musical styles is a proven crowd pleaser. It is both challenging and enjoyable for performer and listener alike!
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