2000.fi was composed as a fanfare for the new Millennium and is a solo vehicle for drums. The writing is very contrapunctual in some sections. It benefits from twelve-tone technics in some of its
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A medium swing chart with a guitar solo introduction.
This arrangement of the beloved hymn begins with a rubato statement of the first verse and moves into a gospel/swing 3 feel. Keys: C modulating up to D-flat, modulating up to D. Also featured
This small group arrangement for 3 horns and rhythm section alternates between an Afro-Cuban feel and an easy 3/4 swing with fluid and richly harmonized melodic lines.
An up-tempo rendition of the Vincent Rose standard, this arrangement features extended solos for trumpet and piano. Saxophone players get a technical challenge on this one! Instrumentation: Alto I/Flute,
Begin, Began, Begun is a clarinet solo feature with nods to Artie Shaw and Eddie Daniels. The style undergoes changes from a groove with a 16th pattern on hi-hat, to afro-cuban 6/8, to medium
Bitter Jug is an up-tempo swing chart featuring an original melody written over the chord changes to Fats Waller's Jitterbug Waltz. The solos can be played by any instruments, and
This chart is an adaptation of the Dirty Dozen Brass Band version with an infectious groove! Tuba is essential to the general character, but the part is playable with a good bass trombone substitute. The
Commissioned by Gene Aitken for the University of Northern Colorado/Greeley Jazz Festival All-Stars to feature saxophonist Don Aliquo, Come On In is a medium shuffle in minor blues form that
Cuckoo's Nest is a medium-up tune on rhythm changes and includes a challenging a cappella dialogue section for saxes and brass. The solo possibilities are for alto 2, tenor 1, trumpet 2,
Don't Be Jealous features an alto saxophone soloist, and a triplet-based swing feel at a moderately slow tempo. Angular, twisting melody lines slip in and out of lush voicings in this moody
Commissioned by Gene Aitken for the 2010 Shanghai Conservatory of Music Jazz Orchestra, this concert piece is based on a well-known Chinese folk song. Originally designed to feature traditional Chinese