This collection of nine concert and festival selections for young and developing two-part treble choirs features a spiritual arrangement, a folk song arrangement, and seven original selections in a variety
Looking for a quick-learn finale for your holiday concert? Look no further than this festive original work that skillfully blends snippets of five favorite carols - Deck the Hall; Jingle Bells; Angels
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Children's voices lead us through the season of Advent with this flexible anthem. Using the familiar Advent themes of hope, peace, joy, and love, a unison choir or cantor leads the congregation in weekly
When it comes to inclusion and diversity, youth often have the courage to say what adults cannot or will not. This anthem gives children the chance to offer a message of unconditional welcome and love. It
Whether performed on risers, as a processional, or encircling the audience, this celebratory fanfare is the perfect opening number for concert or festival and is appropriate for use throughout the school
Pairing the traditional French tune UNE JEUNE PUCELLE with a frosty winter text, this lyrical seasonal song is an expressive selection for your winter concert. Very conservative ranges, simple rhythms, and
Composer Caleb Fritz has penned a delightful and charming setting of the well-known Christina Rossetti poem. Gentle and expressive, it floats along with lyrical lines and a well-crafted accompaniment.
Add some flourish to your next concert by programming this jubilant original featuring a macaronic text of Latin and English. Some accessible mixed meter adventures are sprinkled throughout this dynamic
This poignant advent anthem, based on texts from Isaiah, reveals the deep spiritual longing of God's people as they await the coming of the Messiah. Unison lines that develop into harmonies make this an
Your students will have a blast performing the simple body percussion that enhances this partner-song setting of the two popular American folk songs Crawdad Song and Cripple Creek. A
Created as a tribute to her mother, Mary Lynn Lightfoot's setting of Psalm 51 is a beautiful anthem for choirs and small ensembles. The vocal parts weave phrases together, guiding listeners and singers
Young voices shine in this darling partner song for Christmas! An original melody is paired with Away in a Manger (CRADLE SONG), and the result is an endearing picture of the Good Shepherd, who was
This energetic echo song brings out the best in young treble voices and offers a joyful message of friendship and community. The text focuses on caring qualities, and the optional djembe, claves, and shaker
This soulful, spirited gospel anthem celebrates our shared identity in Christ. Featuring tight harmonies and an optional soloist, this piece is a joy to sing from start to finish. Consider adding a rhythm
Particularly relevant in times of change or uncertainty, this easily learned anthem based on Jeremiah 29:11-13 offers comfort and assurance. Limited ranges and a supportive piano accompaniment make this a
A delightful addition to the Rote to Note Choral Series! Based on the Beatitudes from Matthew 5:3-11, the composer offers an optimistic portrayal of Jesus' important words. With a joyful lilt to the refrain
Children's voices lead the way as we welcome the Savior, Messiah on Palm Sunday! This delightful anthem for developing voices sits in the perfect range for elementary choristers, and the 6/8 lilt
The inspiring original lyrics exude serenity and tranquility in this marvelous piece for young and developing choirs. Featuring peaceful, melodic moments and optional shakers and djembe, its message speaks
This timeless hymn text is set using a new complementary melody for the verse and the original hymn tune (HANKEY) for the refrain. Written in an accessible range for two-part or SAB voices, choirs and small
"If I can share my song with others, a sweet refrain... I shall not live in vain." Franklin has added her own original text to the familiar Emily Dickinson poem, making this expressive treble original a
Useful for a variety of occasions, this original work includes the opportunity to personalize the work for your choir with an optional aleatoric introductory section where you can add specific names that
"Sometimes they're in the corner, sometimes they're by the door, sometimes they're all a-standing in the middle of the floor..." This childlike poem by Eugene Field recollects the fear we all had of going
From the first note of the pulsating piano to the final statement of the infectious motive, this work grabs you and won't let you go! Filled with soulful harmonies and spirited melodic lines, it captures