The Schubert masterpiece, skillfully arranged for developing choral groups, provides opportunities for solos or section features and allows conductors to work on healthy singing technique, beautiful

With Grieg's characteristic lyrical style and Romantic chromaticism, this unaccompanied work is written with mostly homophonic textures. Grieg's setting of this sacred Latin text occasionally divides into

Isabella Leonarda was one of the most prolific woman composers of 17th-century Italy, publishing 20 volumes during her lifetime including the first known sonatas written by a woman. This edition seeks to

This 18th-century Italian piece is part of a larger work, Miserere in F Minor. This edition is based on a handwritten copy by Johann Simon Mayr and is scored for treble choir with piano or optional

The very energetic and joyful chorus from Handel's oratorio "Samson" has been carefully arranged to make this work accessible for SSA choirs. This work is sure to delight audiences and singers alike and

Stanford’s setting of this Latin text for six unaccompanied voices ventures into limited polyphony in a late Romantic, lyrical style. Piano reduction included.

This newly edited and re-engraved excerpt is from the Liszt's larger work Christus. This selection opens the second of three sections of the oratorio  which describes the life and ministry of Christ.

Grounded and powerful, this work rises and falls with tuneful motifs shared between upper and lower voices.

From the Gounod opera "Faust." Here, young Valentin's heartfelt prayer abounds with conflicting emotions, offering singers an opportunity to consider the devotional yet enthusiastic text and operatic style

A cleverly written piece with a text by Alfred Lord Tennyson, the music at times reflects a madrigal with romantic era harmonies. The sound of the bugle is described in a rhythmic motif that is echoed and

Caligaverunt Oculi Mei (1585) is the ninth responsory for the matins of Good Friday. Scored for unaccompanied mixed voices, the text combines scriptures from Job and Lamentations as an allegory

With the option to perform a cappella or with basso continuo and cello, Monteverdi's masterwork breathes new life in this edited version for divisi mixed choirs. An exciting texture that bridges the

Arranged for tenor-bass ensembles, this important selection from the standard choral repertoire can be experienced and enjoyed by a new audience. True to Pitoni's original, Leavitt preserves the classic

This classic piece composed in 1865 holds a cherished place in the choral repertory for concerts, festivals and services. Presented with an English singing translation in addition to the original French,

Probably Faure's best-known and most frequently performed work next to his Requiem. The lovely melodic lines are over triplet figures in the accompaniment, which can be done on piano, harp, or with a small